The Revolution in Tanner's LaneWhite, William Hale
General
The Revolution in Tanner's Lane
White, William Hale
England -- Fiction; Religious fiction
“Of course you will go on,” said Zachariah. “So shall I go on. We are
to have a meeting in Clerkenwell to-morrow night, although, to tell you
the truth, I don’t feel exactly the interest in the struggle which I did
in those of five-and-twenty years ago, when we had to whisper our
treasons to one another in locked rooms and put sentries at the doors.
You know nothing about those times, George.”
“I wish I had,” said George, with an unusual passion, which surprised his
father and caused Pauline to lift her eyes from the table and look at
him. “I only wish I had. I can’t speak as father can, and I often say
to myself I should like to take myself off to some foreign country where
men get shot for what they call conspiracy. If I knew such a country I
half believe I would go to-morrow.”
“Which means,” said Pauline, “that there would be an end of you and your
services. If you care anything for a cause, you can do something better
than get shot for it; and if you want martyrdom, there is a nobler
martyrdom than death. The Christians who were trundled in barrels with
spikes in them deserve higher honour than those who died in a moment,
before they could recant. The highest form of martyrdom, though, is not
even living for the sake of a cause, but living without one, merely
because it is your duty to live. If you are called upon to testify to a
great truth, it is easy to sing in flames. Yes, yes, Mr. George, the
saints whom I would canonise are not martyrs for a cause, but those who
have none.”
George thought that what Pauline said—just as he had thought of Mr.
Bradshaw’s sermon—seemed to be said for him; and yet what did she know
about him? Nothing. He was silent. All were silent, for it is
difficult to follow anybody who pitches the conversation at so high a
level; and Zachariah, who alone could have maintained it, was dreaming
over his lost Pauline and gazing on the sacred pictures which were hung
in the chamber of his heart. Just at that moment he was looking at the
one of his wife as a girl; the room in which he was sitting had gone; he
was in the court near Fleet Street; she had cleared the space for the
dance; she had begun, and he was watching her with all the passion of his
youth. The conversation gradually turned to something more indifferent,
and the company broke up.
Public-domain text, read in full here on John Shaqi.
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