The Revolution in Tanner's LaneWhite, William Hale
General
The Revolution in Tanner's Lane
White, William Hale
England -- Fiction; Religious fiction
“Walk! Of course you can’t. And what did my husband say to me before I
started? Says he, ‘You’ll have to get a conveyance to take him.’ ‘Leave
me alone for that,’ says I; ‘although right you are.’ And I says to my
cousin’s husband, who drives a hackney coach, ‘Just you drop down and
carry him home. It won’t be ten minutes out of your time.’ So he’ll be
here in about a quarter of an hour. As for the doctor, I understand as
much about you as he does, and, doctor or no doctor, you won’t sleep in
this bed to-night. I’ll go and tell the head nurse or master, or
somebody or the other, that you are off. You just put on your clothes.”
In a short time she returned, found Zachariah dressed, wrapped him round
in shawls and rugs, helped him downstairs, put him into the coach, and
brought him to her cousin’s. It was a little house, in a long uniform
street; but a good deal of pains had been taken with it to make it
something special. There were two bedroom windows in front, on the upper
storey, and each one had flowers outside. The flower-pots were prevented
from falling off the ledge by a lattice-work wrought in the centre into a
little gate—an actual little gate. What purpose it was intended to
answer is a mystery; but being there the owner of the flower-pots
unfastened it every morning when the sill was dusted, and removed them
through it, although lifting them would have been a much simpler
operation. There were flowers in the sitting-room downstairs too; but
they were inside, as the window was flush with the pavement. This
sitting-room was never used except on Sundays. It was about nine feet
square, and it had in it a cupboard on either side of the fireplace, a
black horse-hair sofa alongside the wall on the right-hand side of the
door, red curtains, a black horse-hair arm-chair, three other chairs to
match, a little round table, two large shells, a framed sampler on the
wall representing first the letters of the alphabet, then the figures 1,
2, 3, &c., and, finally, a very blue Jesus talking to a very red woman of
Samaria on a very yellow well—underneath, the inscription and date,
“Margaret Curtin, 10th March 1785.” The only other decorations—for
pictures were dear in those days—were two silhouettes, male, and female,
one at each corner of the mantelpiece, and two earthenware dogs which sat
eternally looking at one another on the top of one of the cupboards. On
the cupboard farthest away from the window was a large Bible with
pictures in it and notes, and, strange to say, a copy of Ferguson’s
Astronomy and a handsome quarto edition in three volumes of Cook’s First
Voyage. Everything was as neat and clean as it could possibly be; but
Mr. and Mrs. Hocking had no children, and had saved a little money.
Public-domain text, read in full here on John Shaqi.
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