When she awoke, it was with a confused, unpleasant feeling, and the
sound of voices in her ears. The room was dark, but a line of light
showed under the door. Alison sat up and listened. A curious,
nightmare-like sense of danger was upon her, indefinably oppressive. Her
ears were acute. She heard Nancy’s voice, and a man’s voice,
unmistakably. Clearness came to her, though her temples throbbed and
the drug she had been given buzzed in her head. She slipped to the
floor, searched for, but could not find her shoes, groped for her
wrapper, and threw it over her shoulders. She crept to the door and
lifted the latch noiselessly.
The passage lamp was out, but the parlour was in a glow of brightness.
The door had swung open with its old trick, and a stream of light came
from it. In brilliant relief the little room and all it held stood out.
And, in the circle of light, unconscious of all save each other, they
stood—the tempter and the tempted. And behind Alison the big
wag-at-the-wall clock, with a guilty twang, struck one.
One of Robert Burns’s great labouring hands was clenched, and he leaned
heavily on the table with it. Alison could see the veins in it throb and
swell with the hot, ungovernable blood. His other arm held Nancy—Nancy,
whose little trembling hands covered her face—and who turned, as Alison
watched her, to hide it against the man’s powerful shoulder. The poet’s
face was in shadow, for it was bent over the woman. He spoke, but his
voice was low and thick; Alison could not catch the words.
She only looked at them a moment, just till the clock struck. Then they
moved with a start, and she also moved forward, until she too stood in
the circle of light. Petrified, the lovers saw her both at
once,—staring, chapfallen, as though they beheld a spirit: only a girl,
indeed, with bare feet, and in her nightgown, sleep still in her wide
eyes and curls scattered on her shoulders, but hedged about with the
immutable dignity of innocence, and strong with the strength of right.
She walked straight up to Nancy, and with a little jerk of effort took
her into her own arms from the man’s embrace, facing him boldly.
’It is too late for visitors here, sir,’ she said simply. ’Mrs.
Maclehose would have you go.’
The poet’s arms dropped to his side and his jaw fell. His sun-browned
face had become quite pale, and the words which stammered on his lips
would not get themselves spoken. When he moved it was to fumble for his
hat. Then he made for the door, without a look or word for those he
left; and it might be said that he slunk, then and there, from the room
and from the house.
Nancy had slipped from Alison’s arms and lay on the floor in a little
huddled heap, moaning. Alison tried to raise her, but she would not
rise.
’Come, Nancy, come to bed,’ whispered the girl. ’You are cold—you are
shaking.’ She lifted her, and then Nancy stood up, staring round her
with miserable, unseeing eyes—deadly pale, and utterly dishevelled.
Public-domain text, read in full here on John Shaqi.
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