He stumbled upstairs to the parlour. Nicol was there, and made him some
excited communication, pointing to the inner door. But the festive
condition of the Bard made him hopelessly dense to oral instruction. He
had not a notion what his excited friend was talking about.
’Man, pull yourself together,’ cried Nicol, eagerly, hearing a knock
from below, and running to the window. ’As I’m alive, here’s our cock
o’ the walk seeking his bonny hen.’
’Who?’ said the poet, confusedly.
’Herries, man, Herries!’ shouted Nicol, slapping his thigh. ’The little
lawyer body ye were to lick. Wheesht! here he comes.’
’My enemy!’ said the Bard, grandiloquently, with a dim feeling that a
great occasion was upon him. He half-sat, half-propped himself upon the
corner of the table, with arms folded across his chest. He was ruddy
with wine; his jet black hair was spread upon his brow; in the fine blue
and buff of his best suit, with his magnificent shoulders, his grand
head and lowering eye—it was impossible to deny, drunken though he was,
the splendour of his presence. To him, thus, and to Nicol, was ushered
Herries, white with anger, and a terrible vital excitement.
Herries walked straight to the figure on the table.
’Where—where is she?’ he said, but he was hardly audible, for his throat
was parched. The poet lurched a little, but steadied himself with an
inimitable air of tipsy gravity.
’Speak up, ma billy!’ he said. ’I’m dull the day.’
’I ask you—and you know it—where is Miss Graham?’ said Herries, with
clenching hands.
The poet cocked an eyebrow.
’Nae man speirs at me for glaikit lasses,’ he observed virtuously; ’you
are come to the wrong shop.’
Nicol burst into a coarse guffaw.
’Nay, sir,’ he said, ’you are come right enough, though Rob, here, is
too modest to admit it. We hae your bonny bird safe and sound....
Here, mistress, come out now! there’s ain to fetch you—’ He flung open
the bedroom door, close to which he had stood, with his hand upon the
lock, since Herries’s entry. And out of the dark room into the light
one walked Alison Graham.
Her face, her neck, her very hands, were white: they were drenched with
whiteness, so that she seemed more dead than alive; and the lines of her
face were drawn so deep, that it had suddenly lost the roundness and the
air of youth. Her wild eyes went from face to face with a hunted look;
the light hurt them, and she raised her hand, but it fell powerless,
while her look riveted itself at last on her lover.
’Alison!’ said Herries. ’How ... how ...’ But he could not speak. Yet
justice should be hers—that thought printed itself in fiery letters on
his reeling brain. Here—no matter that it was before these men, before
them or before the world—he would ask her why she stood there, and let
her clear herself if she could.
’Alison,’ he said, going close up to her, ’whose shame is this—yours or
another’s?’
Public-domain text, read in full here on John Shaqi.
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