Then might one who watched have seen a singular transfiguration come
over the poet’s face. The heavy sensuality of its lines seemed to melt
away, and leave in its place a sort of splendid, weighty thoughtfulness.
Leaning his elbow on his knee, his chin upon his clenched hand, the
whole soul of the man seemed once more concentrated in his eyes, but
they were no longer the eyes of the satyr, but of the poet; and they
were looking at Alison, not as at the woman, but as at the singer, whose
sweet singing roused inspiration at its source. Even now his lips
moved, for the lyrical impulse stirred within him, and the thronging
words and the tingling lines leapt into unison in his throbbing brain.
You could see the massive features quiver, the passionate veins upon the
temples swell, the eye blaze beneath the furrowed brow. Nancy watched
and worshipped him as a fanatic before a shrine, and even literal
Alison, as she felt herself wrapt in that consuming presence, knew
herself, with a singular uplifting of the spirit, to be, for the moment,
the privileged hand-maid of genius. When the last sounds died away, the
man would move, would slap his giant thigh, with something like a shout
of pure delight, and call for more, broad as the peasant that he was,
and with the passion and insistence of a boy. In these fine, natural
moments, Alison liked him well, and when he fell to discussing the
ballad or the air—thoughtful, intelligent, shrewd—she would like him
even better, and feel that even Herries might approve her liking. Ah!
had this been all, and these little _symposia_ that were to take place
so often in the cosy little room, been all as innocent as they seemed,
what a fitting, what a grand impression of Scotland’s poet would Alison
have carried away with her! But, alas! ’Sylvander’ all too soon would
don the cap and bells, and then Alison would wonder, with a shudder, how
Nancy could bear to have him sit so close, and bend so near to hers that
changed face, with the bold eyes and sensual lips. Intellectual
attraction—fascination even—the man had for the girl, must have had,
indeed, for all who came under the sway of his tremendous personality
and his genius, but it warred in her, sometimes, with a physical
repulsion, so strong that she could scarcely conceal it.
This first evening, Willy called to her from his bed, for the story she
was in the habit of telling him before he went to sleep. So ’Sylvander’
and ’Clarinda’ snatched a few precious moments of communion alone.
’Well,’ Nancy said, ’was not that a fit song for a poet’s ear? Has not
the child the sweetest voice?’
’Ay,’ said the poet, stretching great arms above his head, his dark eyes
glowing, and his bronzed cheek flushed. ’Ay, a sweet voice! My heart
leaps, and my blood sallies at its sweetness. I am a slave to such
sounds. But miss will not sing often for the poor bard. I can see,’ he
added in a different tone, ’’tis a fine lady—not a congenial, not a
sympathetic soul....’
Public-domain text, read in full here on John Shaqi.
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