The oldest book, as a whole, in the Bible, is the Song of Songs. Attributed by later ages to Solomon, it was probably written by some unknown author, anywhere from the tenth to the eighth century before Christ.[34] The poem is dramatic in form, though imperfectly constructed according to our canons. Its scenes shift, and its speakers change with true dramatic movement. It is the closest approach to the drama preserved to us in Hebrew literature, whose genius never favored this highly organic form. There is needed but the usual indication of the _dramatis personæ_ to clear the movement of the plot, and to reveal the force and beauty of the poem. A maiden, her royal admirer, ladies of the court, the girl's brother and her shepherd lover, appear and disappear in animated conversation. The country maiden is wooed away from her shepherd lad by the allurements of a royal admirer, who employs all the resources of fervid flattery and passionate persuasion to win her as a new attraction for his harem. He is foiled, however, by her simple, steadfast loyalty to her absent lover, to whom she at length returns, triumphant in her virtue. In a corrected version, the sensuousness of our English translation disappears in the ordinary richness of Eastern imagery, and the poem becomes a pure picture of loyal love. It reveals thus the healthy moral tone of Jewish society in that early age. This sound domestic virtue of the people, which looked with abhorrence on the licentiousness of the court, becomes all the more striking in contrast with the polygamous customs of the surrounding nations. We see the social foundation on which Israel builded such a noble structure of ethical religion. The people whose literature opens with such a laud of loyal love might well rise into the pure splendors of a Second Isaiah. Such a poem fitly introduces the canon of Scripture; since, into whatever heights Religion aspires to lift the fabric of civilization, she must lay its corner-stone in the marriage bond, and rear the church and the state upon the family. Perhaps we may also find in this Hebrew Song of Songs that mystic meaning, not uncommon in Eastern love-songs, at least in later readings of them, which Edwin Arnold has so vividly brought out in the Hindoo Song of Songs; and may understand how the Church came to take it as a parable of the love of the soul for its Heavenly Ideal, seen in the Christ.