She reached her glass out for Jimmie to touch with his, then raised it to
her lips. Daniels drank and held his glass off to examine the remaining
liquor, like a connoisseur. "I play cards a little sometimes," he
confessed; "on boats and places where I have to kill time. But," and he
brightened, "it was this way about that streak of luck. I was detailed to
write up the new Yacht Club quarters at West Seattle, with illustrations
to show the finer boats at the anchorage and, while I was on the landing
making an exposure of the Morganstein yacht, a tender put off with a
message for me to come aboard. Mr. Morganstein had seen me from the deck,
where he was nursing his injured leg. He was lonesome, I suppose. There
was no one else in sight, though as I stepped over the side, I heard a
victrola playing down below. 'How are you?' he said. 'Have a seat.' Then
he scowled down the companionway and called: 'Elizabeth, stop that
infernal machine, will you?'
"The music was turned off, and pretty soon Miss Morganstein came up the
stairs. She was stunning, in a white sailor suit with red fixings, eyes
black as midnight; piles of raven hair. But as soon as he had introduced
us, and she had settled his pillows to suit him--he was lying in one of
those invalid chairs--he sent her off to mix a julep or something. Then he
said he presumed we were going to have a fine cut of the _Aquila_ in the
Sunday paper, if I was the reporter who made that exposure at the time of
the accident to his car. I told him yes, I was Daniels, representing the
_Press_, and had the good fortune to be in Snoqualmie Pass that day. 'I
was sure of it,' he said. 'Watched you over there with these binoculars.'
He put the glasses down on a table and opened a drawer and took out his
fountain-pen and checkbook. 'That write-up was so good,' he said, handing
me the blank he had filled, 'I want to make you a little present. But you
are the first _Press_ reporter I ever gave anything to, and I want this
kept quiet.'
"I thanked him, but when I looked at that check I woke up. It was for a
cool hundred dollars. I tried to make him take it back; I told him my
paper was paying me; besides, I couldn't accept all the credit; that you
had fixed up the story and put the names right, and the first cut was
yours. 'Never mind,' he said, 'I have something else for your society miss
to do. I am going to have her describe my new country place, when it's all
in shape. Takes a woman to get hold of the scenery and color schemes.'
Then he insisted I had earned the extra money. Not one man in a hundred
would have been quick enough to make that exposure, and the picture was
certainly fine of the whole group. In fact, he wanted that film of the car
swinging into the embankment. He wanted to have an enlargement made."
"I see," said Miss Atkins slowly, "I see." She paused, scooping the crest
from her pineapple ice, then added: "Now we are getting to the core."
Public-domain text, read in full here on John Shaqi.
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