"I mean"--he frowned a little--"I am going to renew my offer to finance
the project for you. You owe it to David Weatherbee even more than I do.
Go back to that pocket; set his desert blossoming. It's your only
salvation."
She groped for the bulwark behind her and moved back to its support. "I
could not. I could not. I should go mad in that terrible place."
"Listen, madam." He said this very gently, but his voice carried its
vibrant undernote as though down beneath the surface a waiting reserve
force stirred. "I did not tell all about that orchard of spruce twigs. It
was planted along a bench, the miniature of the one we climbed in the
Wenatchee Mountains, that was crossed with tiny, frozen, irrigating canals
leading from a basin; and midway stood a house. You must have known that
trick he had of carving small things with his pocket-knife. Then imagine
that delicately modeled house of snow. It was the nucleus of the whole,
and before the door, fine as a cameo and holding a bundle in her arms, was
set the image of a woman."
There was a silent moment. She waited, leaning a little forward, watching
Tisdale's face, while a sort of incredulous surprise rose through the
despair in her eyes. "There were women at Fairbanks and Seward after the
first year," he went on. "Bright, refined women who would have counted it
a privilege to share things, his hardest luck, with David Weatherbee. But
the best of them in his eyes was nothing more than a shadow. There was
just one woman in the world for him. That image stood for you. The whole
project revolved around you. It would be incomplete now without you."
She shrank closer against the bulwark, glancing about her with the swift
look of a creature trapped, then for a moment dropped her face in her
hands. When she tried to say something, the words would not come. Her
lips, her whole face quivered, but she could only shake her head in
protest again and again.
Tisdale waited, watching her with his upward look from under contracted
brows. "What else can you do?" he asked at last. "Your tract is too small
to be handled by a syndicate, and now that the levels of the Columbia
desert are to be brought under a big irrigation project, which means a
nominal expense to the grower, your high pocket, unimproved, will hardly
attract the single buyer. Will you, then, plat it in five-acre tracts for
the Seattle market and invite the--interest of your friends?"
She drew erect; the danger signals flamed briefly in her eyes. "My friends
can be dis-interested, Mr. Tisdale. It has only been through them, for a
long time, I have been able to keep my hold."
"There's where you made your mistake at the start; in gaining that hold.
When you conformed to their standards, your own were overthrown."
Public-domain text, read in full here on John Shaqi.
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