respectively to accommodate the knights of the order and the guests of high distinction. In the rear of these were other benches, for the members of the three great councils. In the centre of the stage was a splendid canopy, decorated with the arms of Burgundy, beneath which were placed three gilded arm-chairs. All the seats upon the platform were vacant, but the benches below, assigned to the deputies of the provinces, were already filled. Numerous representatives from all the states but two--Gelderland and Overyssel--had already taken their places. Grave magistrates, in chain and gown, and executive officers in the splendid civic uniforms for which the Netherlands were celebrated, already filled every seat within the apace allotted. The remainder of the hall was crowded with the more favored portion of the multitude which had been fortunate enough to procure admission to the exhibition. The archers and hallebardiers of the body-guard kept watch at all the doors. The theatre was filled--the audience was eager with expectation--the actors were yet to arrive. As the clock struck three, the hero of the scene appeared. Caesar, as he was always designated in the classic language of the day, entered, leaning on the shoulder of William of Orange. They came from the chapel, and were immediately followed by Philip the Second and Queen Mary of Hungary. The Archduke Maximilian the Duke of Savoy, and other great personages came afterwards, accompanied by a glittering throng of warriors, councillors, governors, and Knights of the Fleece.