The Rival Heirs; being the Third and Last Chronicle of AescenduneCrake, A. D. (Augustine David)
HistoryChristian
The Rival Heirs; being the Third and Last Chronicle of Aescendune
Crake, A. D. (Augustine David)
Great Britain -- History -- Roman period, 55 B.C.-449 A.D. -- Juvenile fiction
Thirty-four years have passed since the battle of Hastings; and our
tale has now advanced to the autumn of the last year of the
eleventh century.
The face of the country is little altered since we last beheld it,
so far as the works of God are concerned: the woods, His first
temples, and the everlasting hills stand, as when Elfric and his
brother hunted therein with Prince Edwy, or the sainted Bertric
suffered martyrdom in the recesses of the forest, at the hands of
the ruthless Danes {xxix}.
But the works of man are more transitory, and in them there is a
great change. The Norman castle rebuilt by Etienne stands where
erst stood the Anglo-Saxon hall; the new Priory of St. Wilfred's
resembles that of St. Denys in architecture, although it bears the
name of the old English saint, to whose honour the first sacred
pile, erected by Offa of Aescendune was dedicated; the houses which
dot the scene are of a more substantial character; stone is
superseding wood. Whatever were its darker features, the Norman
conquest brought with it a more advanced civilisation, especially
as expressed in architecture {xxx}.
Within her bower, as the retiring apartments of the lady of the
castle were termed, sat Edith of Aescendune, not the first who had
borne that name. She had now passed middle age, and her years would
soon number half a century, yet time had dealt very kindly with
her, and but few shades of grey appeared amidst her locks. The
traces of a gentle grief were upon her, but men said she mourned
for the absence of her lord and her eldest son, and her thoughts
seemed far away from the embroidery at which she worked with her
maidens--an altar frontal for the priory church.
She thought of the far East--of the sandy wastes of Syria. Or her
fancy painted the holy city, with her dear ones as worshippers in
its reconquered shrines.
For she had not found an unkind lord in Etienne. The scenes which
he had passed through, as related in the earlier pages of this
Chronicle, had produced fruit for good, which Lanfranc (under whose
spiritual guidance he placed himself) had zealously tended and
fostered.
He dared not think of his father, of whose guilt he could not but
be unwillingly convinced; nor was it true in his case:
"He who's convinced against his will
Is but an unbeliever still."
But there was one act of mercy of which he had been the object,
which above all influenced and changed his heart towards the
English. And that was the Christian charity he had received from
the aged Englishwoman, the nurse of Wilfred, whose son Eadwin he
had so cruelly slain in the Dismal Swamp.
Public-domain text, read in full here on John Shaqi.
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