The Rivers and Streams of EnglandBradley, A. G. (Arthur Granville)
General
The Rivers and Streams of England
Bradley, A. G. (Arthur Granville)
England -- Description and travel; Rivers -- England
The Tamar, by the way, is almost certainly Taw-Mawr (the great Taw), and
the Tavy most likely is Taw-vach or bach (the Welsh diminutives for
Vechyn, little). Then, again, there are in North Devon the rivers Taw
and Torridge (Taw-ridge), while South Wales has two notable rivers of
the same etymological origin, Towy and Tawe, both pronounced as the
former is spelt. It is natural enough that Celtic names should prevail
in a corner abutting on Cornwall, the old West Wales, that obviously
shared in those dim Irish invasions which so complicate the story of the
Cymry.
Our thoughts can then follow no better course than that of the railway
from Okehampton to Yeoford Junction, and there abandoning the Exeter
train take the one coming up for Barnstaple and North Devon. For then in
a very short time you will be upon the banks of the Taw, the chief river
of North Devon, where it is yet a modest stream, and keep it quite
intimate company till it spreads, a shining estuary, laden with historic
memories, into Barnstaple bay. Still sticking to your seat by the window
you will see Instow and Appledore rising, significantly if you know your
west country lore, out of the broad glistening tide. You will round the
corner into Bideford and behold the Taw's twin sister, the Torridge,
sweeping under the many-arched and ancient bridge. On yet, with
delightful glimpses of that fine river, shrunk from
[Illustration: THE OKEMENT, OAKHAMPTON, DEVON]
[Illustration]
an estuary into a bold salmon water sweeping along the meadowy vale,
till beneath the high-perched little town of Torrington the railway
comes to a peaceful end, and dumps you out on the eastern fringe of that
unknown rugged block of Devonshire which Devonian farmers, hunting men,
and true provincials often speak of as "the West country." But this is
anticipating a little. Nor do I make any sort of apology for taking the
train for this brief interlude. No one shall say that there is no poetry
in the corner-seat of a railway carriage! Such a man would be a dull,
unimaginative soul indeed. Rhapsodies are being daily written on
motoring, as a revelation of the glories of England by persons who have
apparently lacked the enterprise or inclination to discover them before,
accessible as they have been for all time to the cyclist, the horse
keeper, or the pedestrian. The cyclist with an eye to the landscape can
go easily along as slowly as he chooses with scarcely a glance at the
road; the keen motorist, who nearly always drives himself, can scarcely
take his eyes off it. Indeed, whether as his neighbour beside him or a
stranger upon the road before him, Heaven forbid that he should take to
admiring the scenery! It seems practically impossible to travel at
dog-cart pace--the organism of the machine seems to resent it. At any
rate, no motorist ever does. So whatever measure of enjoyment in the
landscape may belong to the process is the privilege only of the
passengers.
Public-domain text, read in full here on John Shaqi.
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