The Rivers of Great Britain, Descriptive, Historical, Pictorial: Rivers of the South and West CoastsVarious
History
The Rivers of Great Britain, Descriptive, Historical, Pictorial: Rivers of the South and West Coasts
Various
Great Britain -- Description and travel; Rivers -- Great Britain
A little below Monmouth the Trothey, a much smaller stream than the
Monnow, also joins the Wye. The banks from Monmouth onwards to the
sea are steep and well wooded, and for the greater part of the way a
splendid and well-kept road winds along the side of the right bank.
Far below, the river is continually appearing and disappearing; and
the trees dig their feet into the rocks and seem precariously to
cling as they dip down towards the stream. Occasionally a cliff more
than usually near to the perpendicular has managed to ward off the
encroaching growths of forest and bush and ivy, and to stand bold-faced
to the sun; but generally there is foliage to make more refreshing to
the sight the precipitous banks.
Rivers have ever attracted to their banks poets, who of all men most
closely search the heart of Nature in her peaceful and gentle moods;
but few streams have enjoyed the good fortune of the Wye to have their
very spirit caught and shaped into imperishable verse. Wordsworth's
noble poem, "Lines composed a few miles above Tintern Abbey, on
revisiting the banks of the Wye during a tour, July 13th, 1798,"
breathes the inmost soul of river and hills, and of the tranquil,
meditative atmosphere that fills the glorious valley. No poet has held
his ear so close to Nature's bosom as Wordsworth, and in these lines he
has pictured and glorified the Wye as no pen may hope to picture and
glorify it again. To quote but the opening score of lines:--
"Five years have passed; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain springs
With a sweet inland murmur. Once again
Do I behold these steep and lofty cliffs
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
Among the woods and copses, nor disturb
The wild green landscape. Once again I see
These hedgerows, hardly hedgerows, little lines
Of sportive wood run wild; these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!"
Meditation, contemplation, serenity, each not unmixed with pathos, are
the keynotes of this part of the Wye valley; and our river would have
done well enough if not another poet had ever afterwards sung of its
banks and flood. But this was not to be its fate: for has not Tennyson
told us in "In Memoriam" how "half the babbling Wye" is hushed by the
Severn, whose mightier tide drives back its flood?--
"The Wye is hushed, nor moved along,
And hushed my deepest grief of all
When filled with tears that, cannot fall
I brim with sorrow drowning song.
Public-domain text, read in full here on John Shaqi.
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