The Rivers of Great Britain, Descriptive, Historical, Pictorial: Rivers of the East CoastVarious
History
The Rivers of Great Britain, Descriptive, Historical, Pictorial: Rivers of the East Coast
Various
Great Britain -- Description and travel; Rivers -- Great Britain
One whose only knowledge of the Tweed is gained from what can be
seen of it at Berwick, and when the tide is out, would not be likely
to think of it more highly than he ought to think. For even at its
"latter end" it seems to have no great sense of the dignity of life; it
rolls neither broad nor deep, and does little more than trickle into
the larger life to which it has all along so indolently tended. Nor
is it here altogether happy in the surroundings which it owes to art
and man's device. Berwick itself, rising from the water's edge to the
top of Halidon Hill, and partly girdled by its fine wall, used as a
promenade in these piping times of peace, looks quaint, and comely as
well, seen from the opposite or southern bank. But when one has crossed
the stream by the old bridge--Berwick Bridge, which has stood here
since the time of James I.--and looks across at Tweedmouth, exactly
opposite, and at Spittal, which has thought fit to spring up a little
farther east and just at the river's mouth, the impression is less
pleasing. Neither of these places is pretty in itself, while for their
size they make an amazing amount of black smoke. Then there is Robert
Stephenson's great railway viaduct, the Royal Border Bridge, which
it is the fashion to praise up to the skies, as it well-nigh reaches
them. As a successful bit of engineering, it is no doubt all very
well; but an addition to the beauties of the scene it is not, whatever
guide-books and gazetteers may say. In other directions, however, and
farther afield, the outlook is more satisfactory. Away to the south
the grey and rugged Cheviots make a glorious horizon-line; while out
at sea are the Farne Islands, with their memories of St. Cuthbert,
most austere of Western ascetics, and of Grace Darling, whose heroism
puts so strange a gloss upon the holy man's abhorrence of womankind.
The remnants of the ancient Abbey of Lindisfarne are among the very
few examples of Saxon architecture which the destructiveness of the
Danes has left to us; and that even these ruins remain, is due to
no negligence of theirs. When they descended upon the island in the
seventh century, not for the first time, they made a brave attempt to
leave a desert behind them; but the massive strength which the builders
of the church had intended to oppose to "tempestuous seas" was able
in some degree to withstand their "impious rage." The abbey no longer
shelters St. Cuthbert's remains, which must be sought in the Cathedral
that looks down upon the Wear. But the old Saxon arches and columns
have a stronger interest than this could have invested them with; for
was it not here, in Sexhelm's Vault of Penitence, dimly lighted by
the pale cresset's ray, that the hapless Constance de Beverley, after
solemn inquisition, was doomed to her terrible death, the while her
betrayer was listening to the song which so melodiously contrasts the
traitor's fate with the destiny of the true lover?
[Illustration: VIEW FROM THE RAMPARTS, BERWICK.]
Public-domain text, read in full here on John Shaqi.
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