The Rivet in Grandfather's Neck: A Comedy of LimitationsCabell, James Branch
General
The Rivet in Grandfather's Neck: A Comedy of Limitations
Cabell, James Branch
Southern States -- Social life and customs -- Fiction
"Unluckily; yes--but--well! in any event, it suggested to me that old
letters are dangerous. I really had no idea what that desk contained. My
father had preserved great stacks of letters. I have been going through
them. They were most of them from women--letters which should never have
been written in the first place, and which he certainly had no right to
keep."
"What! and is 'Wild Will's' love-correspondence still extant? I fancy it
made interesting reading, Rudolph."
"There were some letters which in a measure concern you, Jack." The
colonel handed him a small packet of letters. "If you will read the top
one it will explain. I will just go on with my writing."
He wrote steadily for a moment or two.... Then Charteris laughed
musically.
"I have always known there was a love-affair between my mother and 'Wild
Will.' But I never suspected until to-night that I had the honor to be
your half-brother, Rudolph--one of 'Wild Will's' innumerable bastards."
Charteris was pallid, and though he seemed perfectly composed, his eyes
glittered as with gusty brilliancies. "I understand now why my reputed
father always made such a difference between my sister and myself. I
never liked old Alvin Charteris, you know. It is a distinct relief to be
informed I have no share in his blood, although of course the knowledge
comes a trifle suddenly."
"Perhaps I should have kept that knowledge to myself. I know it would
have been kinder. I had meant to be kind. I loathe myself for dabbling
in this mess. But, in view of all things, it seemed necessary to let you
know I am your own brother in the flesh, and that Patricia is your
brother's wife."
"I see," said Charteris. "According to your standards that would make a
great difference. I don't know, speaking frankly, that it makes much
difference with me." He turned again to the bookshelves, so that
Musgrave could no longer see his face. Charteris ran his fingers
caressingly over the backs of a row of volumes. "I loved my mother,
Rudolph. I never loved anyone else. That makes a difference." Then he
said, "We Musgraves--how patly I catalogue myself already!--we Musgraves
have a deal to answer for, Rudolph."
"And doesn't that make it all the more our duty to live clean and honest
lives? to make the debt no greater than it is?" Both men were oddly
quiet.
"Eh, I am not so sure." John Charteris waved airily toward Sebastian
Musgrave's counterfeit, then toward the other portraits. "It was they
who compounded our inheritances, Rudolph--all that we were to have in
this world of wit and strength and desire and endurance. We know their
histories. They were proud, brave and thriftless, a greedy and lecherous
race, who squeezed life dry as one does an orange, and left us the
dregs. I think that it is droll, but I am not sure it places us under
any obligation. In fact, I rather think God owes us an apology,
Rudolph."
Public-domain text, read in full here on John Shaqi.
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