The Rivet in Grandfather's Neck: A Comedy of LimitationsCabell, James Branch
General
The Rivet in Grandfather's Neck: A Comedy of Limitations
Cabell, James Branch
Southern States -- Social life and customs -- Fiction
"Yaas, suh," she said, "I'm doin' middlin' well, suh, thank yeh, suh.
Jus' took the evenin' mail to Miss Patricy, like I always do, suh." She
went away quietly, her pleasant yellow face as imperturbable as an
idol's.
He went into Patricia's bedroom. Patricia had been taking an afternoon
nap, and had not risen from the couch, where she lay with three or four
unopened letters upon her breast. Two she had opened and dropped upon
the floor. She seemed not to hear him when he spoke her name, and yet
she was not asleep, because her eyes were partly unclosed.
There was no purple glint in them, as once there had been always. Her
countenance, indeed, showed everywhere less brightly tinted than
normally it should be. Her heavy copper-colored hair, alone undimmed,
seemed, like some parasitic growth (he thought), to sustain its beauty
by virtue of having drained Patricia's body of color and vitality.
There was a newspaper in her right hand, with flamboyant headlines,
because to Lichfield the death of John Charteris was an event of
importance.
Patricia seemed very young. You saw that she had suffered. You knew it
was not fair to hurt a child like that.
But, indeed, Rudolph Musgrave hardly realized as yet that Patricia was
dead. For Colonel Musgrave was thinking of that time when this same
Patricia had first come to him, fire-new from the heart of an ancient
sunset, and he had noted, for the first time, that her hair was like the
reflection of a sunset in rippling waters, and that her mouth was an
inconsiderable trifle, a scrap of sanguine curves, and that her eyes
were purple glimpses of infinity.
"This same Patricia!" he said, aloud.
PART NINE - RELICS
"You have chosen the love 'that lives sans murmurings,
Sans passion,' and incuriously endures
The gradual lapse of time. You have chosen as yours
A level life of little happenings;
And through the long autumnal evenings
Lord Love, no doubt, is of the company,
And hugs your ingleside contentedly,
Smiles at old griefs, and rustles needless wings.
"And yet I think that sometimes memories
Of divers trysts, of blood that urged like wine
On moonlit nights, and of that first long kiss
Whereby your lips were first made one with mine,
Awake and trouble you, and loving is
Once more important and perhaps divine."
ALLEN ROSSITER. _Two in October._
I
To those who knew John Charteris only through the medium of the printed
page it must have appeared that the novelist was stayed in mid-career by
an accident of unrelieved and singular brutality. And truly, thus
extinguished by the unfounded jealousy of a madman, the force of
Charteris's genius seemed, and seems to-day, as emphasized by that
sinister caprice of chance which annihilated it.
But people in Lichfield, after the manner of each prophet's countrymen,
had their own point of view. The artist always stood between these
people and the artist's handiwork, in part obscuring it.
Public-domain text, read in full here on John Shaqi.
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