The Rivet in Grandfather's Neck: A Comedy of LimitationsCabell, James Branch
General
The Rivet in Grandfather's Neck: A Comedy of Limitations
Cabell, James Branch
Southern States -- Social life and customs -- Fiction
And Rudolph Musgrave stayed motionless. He knew Patricia was there; but
that fact no longer seemed either very strange or even unnatural; and
besides, it was against some law for him to look at her until Patricia
had called him.... Meanwhile, just opposite, above the mirror, and
facing him, was the Stuart portrait of young Gerald Musgrave. This
picture had now hung there for a great many years. The boy still smiled
at you in undiminished raillery, even though he smiled ambiguously, and
with a sort of humorous sadness in his eyes. Once, very long ago--when
the picture hung downstairs--some one had said that Gerald Musgrave's
life was barren. The dying man could not now recollect, quite, who that
person was.
Rudolph Musgrave stayed motionless. He comprehended that he was dying.
The greatest of all changes was at hand; and he, who had always shrunk
from making changes, was now content enough.... Indeed, with Rudolph
Musgrave living had always been a vaguely dissatisfactory business, a
hand-to-mouth proceeding which he had scrambled through, as he saw now,
without any worthy aim or even any intelligible purpose. He had nothing
very heinous with which to reproach himself; but upon the other side, he
had most certainly nothing of which to be particularly proud.
So this was all that living came to! You heard of other people being
rapt by splendid sins and splendid virtues, and you anticipated that
to-morrow some such majestic energy would transfigure your own living,
and change everything: but the great adventure never arrived, somehow;
and the days were frittered away piecemeal, what with eating your
dinner, and taking a wholesome walk, and checking up your bank account,
and dovetailing scraps of parish registers and land-patents and county
records into an irrefutable pedigree, and seeing that your clothes were
pressed, and looking over the newspapers--and what with other
infinitesimal avocations, each one innocent, none of any particular
importance, and each consuming an irrevocable moment of the allotted
time--until at last you found that living had not, necessarily, any
climax at all.... And Patricia would call him presently.
Once, very long ago, some one had said that the most pathetic tragedy in
life was to get nothing in particular out of it. The dying man could not
now recollect, quite, who that person was.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account