The Rivet in Grandfather's Neck: A Comedy of LimitationsCabell, James Branch
General
The Rivet in Grandfather's Neck: A Comedy of Limitations
Cabell, James Branch
Southern States -- Social life and customs -- Fiction
"Ah, she hungers for those dead years, Rudolph, and, though you devote
your whole remaining life to her, nothing can ever make up for them; and
she always hates those shadowy women who have stolen them from her. A
woman never, at heart, forgives the other women who have loved her
husband, even though she cease to care for him herself. For she
remembers--ah, you men forget so easily, Rudolph! God had not invented
memory when he created Adam; it was kept for the woman."
Then ensued a pause, during which Rudolph Musgrave smiled down upon her,
irresolutely; for he abhorred "a scene," as his vernacular phrased it,
and to him Clarice's present manner bordered upon both the scenic and
the incomprehensible.
"Ah!--you women!" he temporized.
There was a glance from eyes whose luster time and irregular living had
conspired to dim.
"Ah!--you men!" Mrs. Pendomer retorted. "And there we have the tragedy
of life in a nutshell!"
Silence lasted for a while. The colonel was finding this matutinal talk
discomfortably opulent in pauses.
"Rudolph, and has it never occurred to you that in marrying Patricia you
swindled her?"
And naturally his eyebrows lifted.
"Because a woman wants love."
"Well, well! and don't I love Patricia?"
"I dare say that you think you do. Only you have played at loving so
long you are really unable to love anybody as a girl has every right to
be loved in her twenties. Yes, Rudolph, you are being rather subtly
punished for the good times you have had. And, after all, the saddest
punishment is something that happens in us, not something which happens
to us."
"I wish you wouldn't laugh, Clarice----"
"I wish I didn't have to. For I would get far more comfort out of
crying, and I don't dare to, because of my complexion. It comes in a
round pasteboard box nowadays, you know, Rudolph, with French
mendacities all over the top--and my eyebrows come in a fat crayon, and
the healthful glow of my lips comes in a little porcelain tub."
Mrs. Pendomer was playing with a teaspoon now, and a smile hovered about
the aforementioned lips.
"And yet, do you remember, Rudolph," said she, "that evening at
Assequin, when I wore a blue gown, and they were playing _Fleurs
d'Amour_, and--you said--?"
"Yes"--there was an effective little catch in his voice--"you were a
wonderful girl, Clarice--'my sunshine girl,' I used to call you. And
blue was always your color; it went with your eyes so exactly. And those
big sleeves they wore then--those tell-tale, crushable sleeves!--they
suited your slender youthfulness so perfectly! Ah, I remember it as
though it were yesterday!"
Mrs. Pendomer majestically rose to her feet.
"It was pink! And it was at the Whitebrier you said--what you said!
And--and you don't deserve anything but what you are getting," she
concluded, grimly.
"I--it was so long ago," Rudolph Musgrave apologized, with mingled
discomfort and vagueness.
Public-domain text, read in full here on John Shaqi.
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