The Rivet in Grandfather's Neck: A Comedy of LimitationsCabell, James Branch
General
The Rivet in Grandfather's Neck: A Comedy of Limitations
Cabell, James Branch
Southern States -- Social life and customs -- Fiction
"Now, really, Rudolph, aren't his books wonderful? I don't appreciate
them, of course, for I'm not clever, but I know you do. I don't see why
men think him selfish. I know better. You have to live with Jack to
really appreciate him. And every day I discover some new side of his
character that makes him dearer to me. He's so clever--and so noble.
Why, I remember--Well, before Jack made his first hit with _Astaroth's
Lackey_, he lived with his sister. They hadn't any money, and, of
course, Jack couldn't be expected to take a clerkship or anything like
that, because business details make his head ache, poor boy. So, his
sister taught school, and he lived with her. They were very happy--his
sister simply adores him, and I am positively jealous of her
sometimes--but, unfortunately, the bank in which she kept her money
failed one day. I remember it was just before he asked me to marry him,
and told me, in his dear, laughing manner, that he hadn't a penny in
the world, and that we would have to live on bread and cheese and
kisses. Of course, I had a plenty for us both, though, so we weren't
really in danger of being reduced to that. Well, I wanted to make his
sister an allowance. But Jack pointed out, with considerable reason,
that one person could live very comfortably on an income that had
formerly supported two. He said it wasn't right I should be burdened
with the support of his family. Jack was so sensitive, you see, lest
people might think he was making a mercenary marriage, and that his
sister was profiting by it. Now, I call that one of the noblest things I
ever heard of, for he is devotedly attached to his sister, and,
naturally, it is a great grief to him to see her compelled to work for a
living. His last book was dedicated to her, and the dedication is one of
the most tender and pathetic things I ever read."
Musgrave was hardly conscious of what she was saying. She was not
particularly intelligent, this handsome, cheery woman, but her voice,
and the richness and sweetness of it, and the vitality of her laugh,
contented his soul.
Anne was different; the knowledge came again to him quite simply that
Anne was different, and in the nature of things must always be a little
different from all other people--even Patricia Musgrave. He had no
desire to tell Anne Charteris of this, no idea that it would affect in
any way the tenor of his life. He merely accepted the fact that she was,
after all, Anne Willoughby, and that her dear presence seemed, somehow,
to strengthen and cheer and comfort and content beyond the reach of
expression.
Public-domain text, read in full here on John Shaqi.
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