They deal with accidents and misfortunes from which the subject of the
picture has escaped through the intervention of the sweet-faced Madonna
of Laghet. The impression left by the gallery is that the dwellers in
this corner of Europe are peculiarly liable to fall from the roofs or
windows of houses, to slip over precipices, to drop into wells, to catch
on fire or to find themselves under the wheels of carriages and wagons.
Indeed it is a matter for marvel that they have not become extinct. It
is a gallery that might suitably deck the walls of a coroner’s court,
the corridors of a hospital or the offices of an accident insurance
company.
[Illustration: LAGHET: THE ENTRANCE.]
Here is depicted a man lying under a cart laden with immense blocks of
stone. A wheel of the cart rests poised upon his leg which would
normally be reduced to pulp. For his escape he has undoubted reasons to
be grateful and for the recording of the fact no little justification.
Here is a man under a train: the station clock shows with precision the
exact moment of the accident, while, as a writing on the wall, is the
sinister and suggestive word “sortie.” Here is a youth hurled from a
bicycle over a bridge and in process of falling down a terrific height.
In this, as, indeed, in all the pictures, the details of the victim’s
dress and the colour of his hair and even of his necktie are rendered
with great care. In a picture of 1903, showing a girl being knocked down
by a motor the details of the archaic machine of that period are so
exactly portrayed as to be of historical interest.
The number of people who are dropping from scaffolds and ladders is very
great. Complex horse accidents are rendered with a precision which is
usually lacking in the mere narrative of these confusing events. Thus a
lady and gentleman are represented as lying beneath an overturned
carriage. A grotesque horse, of the type seen in pantomimes, with a
vicious grin on its face, has kicked the driver from the box. This
outraged man is standing on his head in the road, his body and legs
being sustained, by some unknown force, in the vertical position. Here
is a motor accident: the motor has plunged into a swamp. The three
dislodged occupants are kneeling together, in the middle of the highway,
praying; while the more practical chauffeur is holding his hands aloft
and is apparently crying for help.
Public-domain text, read in full here on John Shaqi.
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