Sospel, when viewed from a height, appears (as already stated) as a splash of chocolate-brown on the floor of a grey valley, chocolate-brown being the colour of its roofs. It is a small place of 3,500 inhabitants languidly busy in the construction of a railway which seems disinclined to develop and still more feebly concerned in a golf course which declines to “open.” The town is divided into two parts by the Bevera river. The quarter on the north bank is poor and resigned to a damp and musty squalor; while the south side of the town contains all that Sospel can boast of in the matter of present prosperity and departed greatness. Two bridges—one old and one new—connect the towns. The old bridge is picturesque, being composed of two very ancient arches which have never come to an agreement as to what should be their common level. In the centre of the bridge is a little, old, surly tower which forms an arch over the road after the manner of a village Temple Bar. The tower has been converted, with marked unsuccess, into a dwelling house with a bow window and balcony on its less dejected front and with gaudy advertisements on its other sides. Since no one appears to have the courage to live in this impossible dwelling it is empty. As a tower to defend the ford it is a monument of incompetence and as a house on a bridge of the type of those on the Ponte Vecchio at Florence it is a sorry thing. It is indeed neither a tower nor a house. It is merely a failure. The north town is made up of old buildings and narrow lanes which are filled with gloom and with a smell so pressing that it can almost be felt with the hand. The main lane, and the most pungent, is called the Rue de la République. If it be intended by its title to flatter the Republic of France the compliment is doubtful. The fronts of the houses that look into the lane are of great antiquity, but the backs that look on to the river are unreasonably modern. This river front of Sospel is one of its most curious sights. The houses are of four stories and each floor of each house is provided with a balcony. Except that they all look fragile and unsafe and the work of a rash amateur builder, no two balconies are quite alike. One may pertain to a kitchen, another to a sitting-room and a third to a bedroom and each balcony will contain the paraphernalia proper to its particular apartment. The united display of utensils shows how complex and exacting human life has become since the days of the cave man. I never before realised that so many buckets are required to satisfy the needs of a modern community. [Illustration: SOSPEL: THE PLACE ST. MICHEL.]