It begins well. It commences with an orthodox square containing a café
on either side, an aged tree, a fountain, a postcard shop and a sleeping
dog. All this is reassuring and in order. At one corner of the Place a
few steps slope up to a gateway with a pointed arch. This also is quite
a normal entry to a town. But once inside the gate everything is
topsy-turvy and unexpected. You find yourself in a lane, but it is more
like a passage through rocks than the high street of a town. The road at
once dives under buildings and comes up in a narrow square on one side
of which is an official-looking _Mairie_, very modern, with walls of a
fashionable yellow, green sun-shutters and a flag pole. Opposite to it
are some deserted houses of great age which are in a state of advanced
decomposition.
[Illustration: A STREET IN GORBIO.]
[Illustration: A STREET IN GORBIO.]
You then come to a damp and dark tunnel. As there is a gleam of light at
the end of it you enter and are at once seized by a smell—a smell of
Augean stables. This is no “perfume wafted on the breeze”; but a smell
that comes upon you like a shriek, grips you by the throat like a
highwayman and throttles you. You rush forward to the open air and
stumble among houses made up of loose rocks and superfluous doors
propped up by outside stairs.
To the right are some steps climbing up through another tunnel that may
be a passage in a mine. The exploring spirit urges you to mount this
dark ascent. You come out into a real street with real houses and even a
shop, but the street is narrow and the way is entirely occupied by a
live cow. The cow is standing patiently outside a house that has white
steps and a knocker and seems to be waiting for an answer to a message.
It has a pleasant and motherly face, but appears, as to its body, to be
of unreasonable size. As it is impossible to pass the cow without
pushing it into a house you return by the tunnel to the original route.
This route now takes the form of a country lane lined with boulders on
which grow ferns and other plants of interest and here incontinently
appears a church—a fine and ancient edifice bearing the date 1683.
Beyond the church you find yourself—not in a cemetery but—on the
ramparts of a fortified town and finally by the side of a quite new
building of great height, clean and formal, which, at first sight, may
be a barrack or a soap factory, but there are neither soldiers nor (I
think) soap in Gorbio.
Public-domain text, read in full here on John Shaqi.
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