In 1841 the son decided to take the body from the Cap de St. Hospice and
convey it to Genoa, because it was in Genoa that his father was born.
Here it was hoped he could be laid at rest. A ship was obtained and the
coffin was lifted from the grave near the old tower and placed on the
deck. When Genoa was reached the party with the coffin were not allowed
to land because the vessel had come from Marseilles and at that port
cholera was raging.
The ship thereupon turned back and sailing westwards brought the dead
man to Cannes. Here also permission to land a coffin, which was already
highly suspected, was refused. The position seemed desperate but near
Cannes are the Lerin Islands and among them the barren and lonely rock
known as Sainte Ferréol. Here the body was once more buried and again
covered with a stone. On this strange little desert island it remained,
in utter loneliness, for four years, in the company only of the seabirds
and of some blue iris flowers that made the rock less pitiable.
Now it seemed to Achillino Paganini a heartless thing to leave his
father’s body in this bleak, forsaken spot. The great musician had some
property at Parma and it was considered well that the body should be
taken there and buried in his own land and in his native Italy. So the
dead man was carried away from the island and was buried in a garden in
his own country and amid kindly and familiar scenes. This voyage was
accomplished without mishap in 1845.
For some unknown reason it was determined in 1853 that the body should
be re-embalmed. So the coffin was once more dug up and the gruesome
ceremony carried out. The wanderings of the dead man had, however, not
yet come to an end for in 1876 permission was granted by the Papal Court
to lay the body within the walls of a Christian church. So once more the
corpse was exhumed and conveyed, with all solemnity, to the church of
the Madonna della Staccata in Parma where it was placed in a tomb. By
this time no less than thirty-six years had passed since the poor dead
master commenced his strange journey.
But even now he had not come upon peace; for in 1893 a certain Hungarian
violinist suggested that the body in the church was not that of the
adored musician. Thus it happened that once again the corpse was exhumed
and once again the coffin opened. The son, who was still alive,
permitted an investigation to be made. Those who looked into the coffin
saw lying there the form of the man who had enchanted the world. The
black coat that he wore was in tatters, but it was his coat. The face,
too, they recognised, the gaunt, thin face, the side whiskers and the
long hair that fell over the neck and covered the white bones of the
shoulder and the gleaming ribs.
-----
[23] “Mentone,” by Dr. George Müller, 1910.
[24] The house is now a tailor’s shop. Neither of these houses is
indicated by any tablet or inscription, as has been sometimes stated.
[25] “The Romance of Nice,” by John D. Loveland, London, 1911.
Public-domain text, read in full here on John Shaqi.
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