A closer inspection shows walls dotted with dark apertures. These are
windows; but they suggest the black nest-holes that sand-martins make on
the face of a cliff. There are faint touches of colour too, a heap of
rust-tinted roofs, a grey church tower, a splash of red to mark the
nave, the brown ruin of a castle like a broken and jagged pot, a tiny
ledge of green with a line of white stones to mark the burying place.
A zigzag path mounts up to an arched gateway in the face of the wall. It
is the only entrance into Eze. This portal will admit a laden mule or a
hand-cart but not a carriage; for no “vehicle” can find admittance into
this exclusive town. A curve of smoke alone shows that it is inhabited.
In the distance is the blue Mediterranean lying in the sun.
Before entering Eze it is well to remember that it is an ancient place
in the last stages of decrepitude and decay and that it has had a
terrible history and centuries of sorrow. It is poor, half empty and
partly ruinous. Those who expect to find a mediæval fortress will be
disappointed since its houses differ but little from such as exist in
many an old neighbouring town; while those who are unaware of its past
may adopt the expression of a tourist I met, leaving the rock, who
informed his friend—as a piece of considered criticism—that Eze was “a
rotten hole.” Such a man would, no doubt, describe Jerusalem also as “a
rotten hole.”
The gate of Eze—the Moor’s Gate as it is still called—is supported by
a double tower with evil-looking loop-holes. It is very old and very
worn. Its machicolations are covered with ferns which make its harsh
front almost tender. Within this entry is another gate and a second
tower upon which is a commonplace house reached by a flight of steps.
Here we stand in an ancient feudal fortress. Here is the station of the
guard and here has taken place such hand-to-hand fighting and such
slaughter of men as should make the walls shudder to all eternity. It
was here that the stand was made by the faithful garrison when the last
siege of Eze took place, the siege led by Barbarossa in 1543. It was at
this very gate that the traitor Gaspard de Caïs parleyed with the
governor.
Within the second gate is a platform for the inner guard, from the
ramparts of which one can look down into the chasm from which Eze arises
and judge of the formidable position of the place.
The streets of Eze are mediæval in arrangement being mere alleys—each
as narrow as a trench—between the houses. They are paved with cobble
stones at the sides and with red bricks in the centre and are lit—such
is the anomaly—by electric light. These lanes wander about in an uneasy
and disconsolate way. They sometimes mount upwards; they sometimes glide
down as if undecided. They dip under houses through black, vaulted ways:
they lead to stone stairs that disappear round a corner: they turn
warily to the right and then to the left, as if someone followed.
Public-domain text, read in full here on John Shaqi.
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