Opening on to the margin of the harbour is a great gorge, a sudden
breach in the earth which serves to separate the sober town of Monaco
from the frivolous town of Monte Carlo. It is a strange thing—this
ravine. It is deep and full of shadows. Its walls, lit by the sun, are
sheer precipices of biscuit-coloured rock, tinted faintly with red as
with rust. From every crack and cranny on its towering sides something
green is bursting; while, here and there, a flower, yellow or blue,
clings to a ledge like a perching bird.
From the balustrade of a garden on its summit there hang festoons of
scarlet geraniums and a curtain of blue heliotrope. Along the bottom of
the chasm runs a fussy stream, with a noise like that of many flutes and
by its side—among a jumble of rocks, bushes and brambles—an
inconsequent path creeps up, out of pure curiosity, since it leads
nowhere.
This ravine, as wild and savage as it was a thousand years ago, is a
strange thing to find in the middle of a town, for houses crowd about it
on either side and press so far forward on its heights that they appear
likely to topple into the abyss. A huge railway viaduct crosses its
entrance, while its floor slopes to a road where motors and tramcars
rattle along, without heed to this quiet nook in the mountain side. It
is as incongruous and out of place as a green meadow with buttercups and
cows spread out by the side of the blatant traffic of Fleet Street.
There are other anomalies about this Ravin des Gaumates. It is so
reckless-looking and so theatrical a chasm that one is convinced that
duels have been fought here and that here conspirators in cloaks have
met, and buccaneers have stored their surprising spoils. At the present
day, however, the sea rover’s camp is occupied by a laundry shed, where
unemotional women, with red arms and untidy heads, are busy; and where,
in the place of brigands’ loot, sheets are spread upon the rocks to dry,
together with white articles of underclothing.
At the mouth of the gorge—standing quite alone—is the little chapel of
St. Dévote. It is a humble church, modern, plain as a peasant, and of no
intrinsic interest. It is notable only in its position. The building
seems to be as surprised at the place in which it finds itself as is the
visitor who finds it there. Possibly no more strangely situated house of
prayer exists in Europe. Behind it is a wild, disorderly glen; on each
side is a precipice and in front is a gigantic railway viaduct of such
immoderate proportions that it towers above the very steeple of the
church.
The building viewed from the road where the tramcars run looks like a
small shrinking figure enshrined in a niche provided by a vulgar,
overbearing and irreverent railway arch.
[Illustration: MONACO.]
Public-domain text, read in full here on John Shaqi.
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