Railroads -- United States -- Design and construction -- Fiction; Western stories
They got Flint in--Haddon, in night-shirt, bare legs, and shoes with
flapping strings to them; the foreman of the pile-driver crew in
night-shirt and hat, and two big-shouldered bridgemen. There was a
ball somewhere in Flint, and there were certain complications along
the line of his chronic ailment, so that his usefulness was, so to
speak, impaired. And Haddon, during what was left of the night and
during all of the following day, had distinctly a bad time of it.
While these things were going on, Paul Carhart was riding westward at
a hot gallop with Dimond close behind. It was shortly after sunset
that he reined up on the crest of the eastern ridge and looked out
over the La Paz. The barren valley was flooded with light. The yellow
slopes were delicately tinted rose and violet, the rock pillars stood
out black and sharply defined, the western hills formed a royal purple
barrier to the streams of color; and through this glowing scene
extended the square-jointed trestle, unmistakably the work of man
where all else was from another hand. Never in the progress of this
undertaking which we have been following across the plains had the
contrast been so marked between the patient beauty of the old land and
the uncompromising ugliness of the structure which Paul Carhart was
carrying into and through it. And yet the chief,--an intelligent,
educated man, not wanting in feeling for the finer side of
life,--though he took in the wonders of the sunset, looked last and
longest at the trestle and the uncompleted bridge. Then he rode down,
glancing, in his quizzical way, at the camp, which had been moved back
behind a knoll, at the piles of stone and timber, at the corral, and
at the groups of idle, gloomy workmen.
Fortunately the chief was prepared for surprises. News that the
trestle had been burned to the ground would have drawn no more than a
glance and a nod from him. His mind had not been idle during the ride.
He knew that the strongest defence partakes of an offensive character,
and he had no notion of sitting back to await developments. Of several
sets of plans which he had been considering, one was so plainly the
simplest and best that he was determined to try it. It involved a
single daring act, a sort of raid, which it would be necessary to
carry through without a vestige of legal authority. But this feature
of it disturbed him very much less than a mere casual acquaintance
with this quiet gentleman might have led one to suppose. Perhaps he
had, like the red-blooded Tiffany, a vein of “Scotch-Irish” down in
the depths of his nature which could on occasion be opened up.
[Illustration: “The cigarette dropped from Antonio’s unnerved
fingers.”]
After looking out for the comfort of John Flint, and after conferring
with Haddon and going thoroughly over the ground, Carhart sent for
Dimond.
“How much more are you good for?” he asked.
Dimond grinned. “For everything that’s going,” he replied.
Public-domain text, read in full here on John Shaqi.
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