The Road to Mandalay: A Tale of BurmaCroker, B. M. (Bithia Mary)
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The Road to Mandalay: A Tale of Burma
Croker, B. M. (Bithia Mary)
British -- Burma -- Fiction; Drug abuse -- Fiction; Drug traffic -- Fiction
Hitherto, she declared, she had felt like a flower that was withering
for the lack of sun; now Sophy supplied the sunshine. Sophy was endowed
with a personality that inspired happiness, and looked on the world as
the abode of joy. And so at last pretty Miss Leigh tasted the delights
of the Gymkhana Club, and took part in tennis, golf and dancing. There
were boating parties on the Royal lakes and picnics in the woods. She
made many acquaintances and had quite “a waiting list” of partners.
Sometimes of a morning, but much more frequently of an evening, after
tennis or boating, Mrs. Krauss would drive down to Phayre Street. There
the shops were on the best European lines, and exhibited all the latest
articles from London, Paris, or Berlin, tempting rupees out of people’s
pockets. Mrs. Krauss was a liberal purchaser, whether of European
stores, fancy goods, drapery, or jewellery; this generous aunt
presented Sophy with a pair of heavy gold bangles, a string of pearls
and an exquisite fan and kimono. These latter were found at an Indian
repository owned by a well-known Bengali, with a large clientèle
(Burmese themselves are too indolent to make successful
shopkeepers—they much prefer to look on, and laugh, and bargain). In
this and other emporiums of the same class were to be found rare
embroideries, ivory carvings, eggshell china, Oriental draperies, jade,
and piles of Chinese and Japanese silks of the most exquisite fabric
and colour. Sophy liked to wander round, to marvel and admire, but soon
discovered that to do the latter was to be immediately endowed with her
fancy—be it an enormous Chinese jar, or a lacquered cabinet, or a mere
silver bowl. Mrs. Krauss firmly resisted every denial and excuse.
“My dear,” she would protest, “do not refuse me; mine is the pleasure.
I don’t know how to spend all my money, and never until now have I had
a girl to whom I could offer presents—and to _give_ is such a joy. I am
a rich woman, with no belongings except you and yours. Certainly, I
don’t deny that this big gong” (the present in question) “is rather a
clumsy affair, but it is old and a beauty. What a deep, rich,
melancholy tone! When struck it seems to tell of some sad, sad story
that happened hundreds of years ago. After you are married, dear child,
it will be so useful in your hall.”
Public-domain text, read in full here on John Shaqi.
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