The Road to Paris: A Story of AdventureStephens, Robert Neilson
History
The Road to Paris: A Story of Adventure
Stephens, Robert Neilson
Adventure stories; Historical fiction; United States -- History -- Revolution, 1775-1783 -- Fiction
Late that night Catherine de St. Valier sat in her apartment in the
palace, accompanied only by one of the inferior attendants, a girl named
Gretel, who was devoted to her. At one side of the chamber a pair of
curtains concealed the alcove in which the bed was. At the other side
was a door communicating with a corridor. The chamber window overlooked,
at some height, an open space--a kind of small park--at the rear of the
palace. Outside the window was a little balcony, and not far away was
one of a few tall trees that grew in the small park. On a dressing-table
was a candelabrum, with but one of its branches lighted, so that the
interior of the room was dim to the sight. The night had recently
clouded over, and only at intervals could the moon be seen through the
dark window.
Catherine sat on a small couch, her face as pale as death, gazing at the
opposite wall with wide-open eyes, in which grief and horror had given
way to a kind of trance-like stupor. Now and then she would give a
slight start, and a tremor would pass through her body, which was
attired in a loose white gown lightly confined at the waist. At such
moments she would turn her eyes furtively towards the door leading from
the corridor. Near this door sat the maid, Gretel, silently watching
with pitying eyes the half dead lady-in-waiting.
Suddenly the window, which was made of two casements running each from
top to bottom, was flung rudely open, and in from the balcony stepped a
man, who immediately stood still and looked around until his eyes fell
on Catherine.
She rose quickly to her feet, and, with bowed head, said, in a low and
lifeless voice:
"You find me waiting, your highness."
"Highness!" echoed the intruder. "Then you did expect him. It is true.
My God!"
She gazed at him like a woman struck dumb with astonishment, then
staggered to the dressing-table, took up the candle, and moved swiftly
towards him, holding the light so as to illumine his face.
"It is his spirit," she whispered, having made sure that the features
were those of Wetheral. The girl, Gretel, now gently took the light from
Catherine's hand, lest Catherine might, in her half swooning condition,
drop it, and replaced it on the dressing-table.
"It is no spirit, mademoiselle," said Dick, in a broken voice, "but a
living man who might better be dead, for his last hope is killed, his
faith crushed, his heart torn with misery! Oh, my God, my God! Oh,
Catherine, Catherine!" And he fell prostrate on the couch, hiding his
weeping eyes upon his arm, and yielding his body to be shaken by sobs.
Catherine stood looking at him, while her bewildered ideas approached a
definite shape. But, before she could speak, he sprang to his feet, his
grief having been succeeded by a wave of fierce and bitter reproach.
Public-domain text, read in full here on John Shaqi.
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