The Road to Paris: A Story of AdventureStephens, Robert Neilson
History
The Road to Paris: A Story of Adventure
Stephens, Robert Neilson
Adventure stories; Historical fiction; United States -- History -- Revolution, 1775-1783 -- Fiction
While he was viewing the scene, and gaining breath, and wondering how he
should ever get out of the town, he became conscious of a hurried
movement of men, at some distance back on his own route. Standing on the
highest church step to look, he saw a squad of soldiers led by an
officer whom he took to be the Irishman. Other people about had noticed
this movement, which was rapidly nearing.
To get out of the way inconspicuously, Dick descended from the church
steps, and started at a walk up the steep street that ran by the side of
the church and which bounded the end of the Common. As he tugged up the
hill, he knew by cries and footsteps that the soldiers were making good
speed towards the corner he had left; and just as he reached the top of
the hill he heard a shout from the foot of it.
"Stop that rebel!" were the words, and the voice was that of the Irish
officer. Dick turned into the street that went along the upper side of
the Common, and thence he bounded through the first open gate on the
right-hand side, into a flowery garden before a broad residence whose
wide door, flanked by glass panels and surmounted by a great fan-light,
gaped hospitably from a spacious vine-embowered porch. As he made for
this porch, for the time hidden from his pursuers on the up-hill street
by the trees at the corner of the Common, a young lady came idly from
the door. She first halted at the approaching cry, "Stop that rebel,"
and then stepped back in surprise as Dick, tripping on the steps that
led up to the porch, fell prone at her feet.
"Dear me, what's the matter?" she said, breathlessly; then quickly
stooped and picked up something from near Dick's head.
"That belongs to me!" he said, hoarsely, rising to his knees, and
reaching out for it greedily. It was the precious miniature, which had
in some manner worked from its fastenings in Dick's queue.
"Who are you?" asked the girl, who was slender, blue-eyed, and fair,
still retaining the portrait.
"Stop that rebel!" came the cry from around the corner of the Common.
Dick's mind worked quickly. "I'm the man they're hunting," he said.
The girl frowned, murmured the word "rebel," and looked down at him with
an expression of dislike. From this he knew she was a Tory, hence
friendly to his pursuers and at bitter enmity with his cause.
She looked mechanically at the portrait, which had escaped from its
silken bag. "Is this a lady who is waiting for you to come back from the
fighting?" she asked, with sudden softness of tone and countenance.
"Yes," lied Dick, promptly; "as you also doubtless wait for some one!"
The girl blushed, and looked sympathetically at the portrait, then at
Dick.
"Stop that rebel!" The voice had turned the corner of the Common, but
its owner was still concealed from view by the trees and bushes of the
garden. "The open gate yonder," it added; "search that place!"
"Sit down," quickly whispered the girl to Dick, handing him the
portrait. "There,--under that bench!"
Public-domain text, read in full here on John Shaqi.
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