"I don't know," said George, anxious to cut short the conversation. "And I wonder what I represented," continued Heinrich unperturbed, "to the theatrical people in the little town. Clearly the deceived lover. Consequently an absolutely ridiculous character. And she? Well, one can imagine. Things are awfully simple for lookers-on. But when one gets to close quarters everything looks utterly different. But the question is whether the complexion it has in the distance isn't the right one? Whether one does not persuade oneself into believing a lot of rot, if one's got a part to play in the comedy oneself?" He might quite as well have stayed at home, thought George. But as he could not send him home, and with the object at any rate of changing the conversation, he asked him quickly: "Do you hear anything from the Ehrenbergs?" "I had a rather sad letter from Fräulein Else a few days ago," replied Heinrich. "You correspond with her?" "No, I don't correspond with her. At any rate I have not yet answered her." "She is taking the Oskar business much more to heart than she will own," said George. "I spoke to her once in the nursing-home. We remained standing quite a time outside in the passage in front of the white varnished door behind which poor Oskar was lying. At that time they were afraid of the other eye as well. It's really a tragic affair." "Tragi-comic," corrected Heinrich with hardness. "You see the tragi-comic in everything. I'll tell you why, too. Because you're more or less callous. But in this case the comic element takes a back seat." "You make a mistake," replied Heinrich. "Old Ehrenberg's box on the ear was a piece of crudeness, Oskar's suicide a piece of stupidity, his making such a bad shot at himself a piece of bungling. These elements certainly can't produce anything really tragic. It is a rather disgusting business, that's all." George shook his head angrily. He had felt genuine sympathy for Oskar since his misfortune. He was also sorry for old Ehrenberg, who had been staying in Neuhaus since then, was only living for his work and refused to see any one. They had both paid their penalty, which was heavier than they had deserved. Couldn't Heinrich see that and feel it just as he did? They really got on one's nerves at times, these people, with their exaggerated Jewish smartness and their relentless psychology--these Bermanns and Nürnbergers. Their principal object in life was to be surprised by nothing whatsoever. What they lacked was kindness. It was only when they grew older that a certain gentleness came over them. George thought of old Doctor Stauber, of Frau Golowski, of old Eissler, but so long as they were young ... they always kept on the _qui vive_. Their one ideal was not to be scored off! A disagreeable lot. He felt more and more that he missed Felician and Skelton, who as a matter of fact were really quite clever enough. He even missed Guido Schönstein.