George stood by the window. The stone backs of the bearded giants who bore on their powerful arms the battered armorial bearings of a long-past race were arched just beneath him. Straight opposite, out of the darkness of ancient houses the steps crept up to the door of the old grey church which loomed amid the falling flakes of snow as though behind a moving curtain. The light of a street lamp on the square shone palely through the waning daylight. The snowy street beneath, which, though centrally situated, was remote from all bustle, was even quieter than usual on this holiday afternoon, and George felt once more, as indeed he always did when he ascended the broad staircase of the old palace that had been transformed into an apartment house, and stepped into the spacious room with its low-arched ceiling, that he was escaping from his usual world and had entered the other half of his wonderful double life. He heard a key grating in the door and turned round. Anna came in. George clasped her ecstatically in his arms, and kissed her on the forehead and mouth. Her dark-blue jacket, her broad-rimmed hat, her fur boa were all covered with snow. "You have been working then," said Anna, as she took off her things and pointed to the table where music paper with writing on it lay close to the green-shaded lamp. "I have just looked through the quintette, the first movement, there is still a lot to do to it." "But it will be extraordinarily fine then." "We'll hope so. Do you come from home, Anna?" "No, from Bittner's." "What, to-day, Sunday?" "Yes, the two girls have got a lot behind-hand through the measles, and that has to be made up. I am very pleased too, for money reasons for one thing." "Making your fortune!" "And then one escapes for an hour or two at any rate from the happy home." "Yes," said George, put Anna's boa over the back of a chair and stroked the fur nervously with his fingers. Anna's remark, in which he could detect a gentle reproach, as it were, a reproach too which he had heard before, gave him an unpleasant feeling. She sat down on the sofa, put her hands on her temples, stroked her dark blonde wavy hair backwards and looked at George with a smile. He stood leaning on the chest of drawers, with both hands in his jacket pocket, and began to tell her of the previous evening, which he had spent with Guido and his violinist. The young lady had, at the Count's wish, been for some weeks taking instruction in the Catholic religion with the confessor of an Arch-duchess; she, on her side, made Guido read Nietzsche and Ibsen. But according to George's account the only result of this course of study which one could report so far was that the Count had developed the habit of nicknaming his Mistress "the Rattenmamsell," after that wonderful character out of _Little Eyolf_.