Antisemitism -- Fiction; Jews -- Austria -- Fiction; Middle class -- Fiction; Vienna (Austria) -- Fiction
She sang the _Das Alte Bild_ of Hugo Wolf in her small well-trained and
somewhat pathetic voice. George played a refined accompaniment, though
he felt somewhat _distrait_. In spite of his efforts he could not help
feeling a little annoyed about Anna. After all no one seemed to have
really noticed the incident except Frau Ehrenberg and Else.
After all, what did it really come to?... Supposing they did all
know?... Whom did it concern? Yes, who bothered about it? Why, they are
all listening to Else now, he continued mentally, and appreciating the
beauty of this song. Even Frau Oberberger, though she is not a bit
musical, is forgetting that she is a woman for a few minutes and her
face is quiet and sexless. Even Heinrich is listening spell-bound and
perhaps for the moment is neither thinking of his work, nor of the fate
of the Jews, nor of his distant mistress. Is perhaps not even giving
a single thought to his present mistress, the little blonde girl, to
please whom he has recently begun to dress smartly. As a matter of
fact he does not look at all bad in evening dress, and his tie is not
a ready-made one, such as he usually wears, but is carefully tied....
Who is standing so close behind me? thought George, so that I can feel
her breath over my hair.... Perhaps Sissy.... If the world were to be
destroyed to-morrow morning it would be Sissy whom I should choose
for to-night. Yes, I am sure of it. And there goes Anna with Frau
Ehrenberg; it seems I am the only one who notices it, although I have
got to attend simultaneously to both my own playing and Else's singing.
I welcome her with my eyes. Yes, I welcome you, mother of my child....
How strange life is!...
The song was at an end. The company applauded and asked for more.
George played Else's accompaniment to some other songs by Schumann,
by Brahms; and finally, by general request, two of his own, which had
become distasteful to him personally, since somebody or other had
suggested that they were reminiscent of Mendelssohn.
While he was accompanying he felt that he was losing all touch with
Else and therefore made a special effort in his playing to win back
again her sense of sympathy. He played with exaggerated sensibility, he
specifically wooed her and felt that it was in vain. For the first time
in his life he was her unhappy lover.
The applause after George's songs was great.
"That was your best period," said Else gently to him while she put the
music away, "two or three years ago."
The others made kind remarks to him without going into distinctions
about the periods of his artistic development.
Nürnberger declared that he had been most agreeably disillusioned by
George's songs. "I will not conceal the fact from you," he remarked,
"that going by the views I have frequently heard you express, my dear
Baron, I should have imagined them considerably less intelligible."
"Quite charming, really," said Wilt, "all so simple and melodious
without bombast or affectation."
Public-domain text, read in full here on John Shaqi.
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