The Robber, A Tale.James, G. P. R. (George Payne Rainsford)
General
The Robber, A Tale.
James, G. P. R. (George Payne Rainsford)
England -- Social life and customs -- 17th century -- Fiction
At length, however, he took up the papers on which the other had
commented, and, without noticing the observations that he had written,
said it was unjust, upon a case where there was nothing made out
against him but suspicion, that he should be detained as a close
prisoner. "If, therefore," he said, "you will give me your word not to
attempt to make your escape, the doors shall be thrown open to you;
this chamber and the next shall be your abode for the time, though they
should have put you somewhere else, for this room is appropriated to
me. Here," he continued, in a thoughtful and abstracted tone, "when I
wish to think over all the crowded acts of a long, eventful, and
constantly changing life, I come and sit, where no sound interrupts me
but the twittering of the swallow, as it skims past my windows. Here I
can people the air with the things, and beings, and deeds of the past,
without the empty crowd of the insignificant living breaking in upon my
solitude, and sweeping away the thinner but more thrilling creations
called up by memory. I know not how it is, young gentleman, that there
is scarcely any one but you whom I could have borne patiently to see in
this chamber; but your countenance seems connected with those days to
which this room is dedicated. There is a resemblance, a strong and
touching resemblance, to several persons long dead; and that likeness
calls up again to my mind many a vision of my youthful days--days,
between which and the dark present, lies a gulf of fiery passions,
sorrows, and regrets. I know not wherefore they put you here, or who
dared to do it, but it is strange that, being here, you seem to my eyes
the only fit tenant of this chamber except myself. Here I sit and read
the letters of dead friends--here I sit and ponder over the affections
and the hatreds, the hopes, the fears, the wrath, the enjoyment, the
sorrow, the remorse of the past; here often do I sit and gaze upon the
pictures of those I loved in former times--of the dead, and the
changed, and the alienated; of persons who, when those pictures were
painted, never thought that there could come a change upon them, or
upon me, either in the bodily or the mental frame; never dreamed of the
mattock, and the grave, and the coffin, and the slow curling worm that
has long since revelled in their hearts; no, nor of fierce and fiery
contention, envy, jealousy, rivalry, hatred, the death of bright
affection, and the burial of every warm and once living hope. Here am I
still wont to gaze upon their pictures, and I know not how it is, but
it seems to me as if your face were amongst them."
Public-domain text, read in full here on John Shaqi.
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