The Robber, A Tale.James, G. P. R. (George Payne Rainsford)
General
The Robber, A Tale.
James, G. P. R. (George Payne Rainsford)
England -- Social life and customs -- 17th century -- Fiction
Solitude, a quick imagination, violent passions, and dangerous designs,
all combined to produce a state of anxiety and impatience bordering
upon phrensy. Now he sat with his head leaning on his hand, gazing
expectantly at the door; now he strode up and down with his arms
crossed upon his chest, and his bosom full of deep but rapid thoughts;
now he paused and listened either to the footsteps of the prisoner
above, as with a calmer and less irregular stride, Langford paced up
and down in the room above, or to the sighing of the strong wind as it
whistled round and round the high tower in which both chambers were
situated.
At length, after having listened to the steps for some time, and then
gazed intently on the ground in deep meditation, he seemed to be seized
by a sudden resolution, and advanced at once to the door which opened
on the stairs leading to the apartments above.
"I will go up to him!" he said: "I will confront him boldly! I will
speak over the whole theme! I will dare every painful subject! He shall
not say that I feared to encounter anything, or to grapple with any
enemy, amongst the living or the dead. He shall never say that I was a
coward in thought, or word, or deed, or that I feared boldly to meet
aught that could be urged against me. I will go, and brow to brow, tell
him what he has brought upon his head."
His first steps up the stairs were rapid and vehement; those that
followed were more slow; and at the door of Langford's room he paused
once more and thought. As he did so pause, he could distinctly hear the
prisoner cast himself somewhat heavily into a chair, hum a few words of
an old ballad, and, as it were, seduced by the music, go on with the
song in a louder tone, and with a clear, mellow, and not uncultivated
voice. He sang one of the sweet and simple airs of Lulli, which had a
touch of melancholy, mingling, one scarcely knew how or where, with the
general cheerfulness of the strain; but the English words which were
adapted to it were even more gay than the music.
Strange to say, however, Langford thought not at all of the words that
he was singing; nay, nor of the music itself. While he did sing his
thoughts were busy, deeply busy, upon other things; and the music was
but a mechanical application of the animal part of his nature to the
sweetest of all arts, in order to obtain some soothing and
tranquillizing power to calm his spirit ere he lay down to rest.
SONG.
The dew is on each leaf and flower,
The sky is full of light;
Beauty and brightness mark the hour
That parts the day and night.
Wake up! wake up! my own sweet love!
Raise up those beaming eyes,
To find an answering look above--
An image in the skies.
Public-domain text, read in full here on John Shaqi.
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