A deep flush overspread Gilbert Lloyd's usually pallid cheeks, but
Gertrude's expression did not change in the slightest degree. Not a
trace of the faintest emotion, even of curiosity, could be seen in her
face. The conductor of the orchestra, just before he left her in front
of the audience, addressed some remark to her; and as she replied,
Gilbert noticed that her lips were curling with a slight sneer--an
expression which he fancied he understood, when the band commenced to
play an air which even he, all unmusical as he was, recognised as
"Home, sweet home." But she never looked at him again during the song,
which she sung even more sweetly than the first, and with a deep
pathos that roused the audience to enthusiasm. Gilbert Lloyd kept his
eyes fixed on her, never moving them for an instant; and as he marked
the calm air with which she received the public applause, and the
graceful ease of all her movements--as he saw how her face, always
clear cut and classically moulded, had ripened in womanly beauty and
intellectual expression--as he noticed the rounded elegance of her
figure, the tasteful simplicity of her dress--and he noticed all
these details down to the fit of her gloves and the colour of her
bonnet-strings--he raged against himself for having been fool enough
to relinquish the hold he once had on her. Could that hold be
reëstablished? If he were again to have an opportunity--But while
these thoughts were passing through his mind, Gertrude had finished
her song and quitted the orchestra, and her glance had not fallen on
him again.
Public-domain text, read in full here on John Shaqi.
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