Miss Grace Lambert! Who was she? The programme, of course, told nothing but her name, and when Miles Challoner turned to his companion for the purpose of inquiring further, he saw that his brows were knit, and his lips tightly clenched. Miles looked at Lord Sandilands in surprise, but forbore to question him. It was evident that the people in his immediate vicinity were equally unable to assuage his curiosity, as they were all talking and chattering together, and throwing glances towards the occupant of the platform, who stood totally unmoved. Then Sir Purcell Arne, looking round with a half-anxious, half-triumphant air, gave the customary three taps on his desk, and with a wave of his baton led the orchestra into the prelude. It was a simple English air--very simple--with a pathetic _refrain_, and out from the harmonious _ensemble_ of the musicians came a soft sweet bird-like voice, beginning mellowly and low, then rising into a clear pure treble, a volume of lark-like utterance, a continuous ripple of sound, such as is seldom heard in human voice. Few notes had been uttered before their effect became visible on the whole assemblage--amongst the foreigners first; on the back benches, where were gathered the hirsute professionals honoured with the _entrée_ to Lady Carabas' concerts, there was an immediate movement, a simultaneous pricking of ears and elevation of eyebrows, culminating into a general impossible-to-be-suppressed "A--h!" of intense delight. Then the enthusiasm spread. Impressible young girls with the _nil-admirari_ breeding scarcely yet habitual to them, looked timidly towards their chaperones, as though pleading, "For Heaven's sake, let us for one moment be natural, and give vent to the delight with which this girl has inspired us." Said chaperones, with some faint reminiscence of nature unbusked and unsteeled by conventionality, sought relief in faintly tapping their kidded palms with their fans. Old boys, dragged away from after-dinner maps, or cosy house-dinners at the clubs, to do family duty, and expecting nothing but driest musical classicalities, expressed their gratitude in strident "bravas." Even the gilded youth of the period, surprised out of its usual inanity into a feeble semblance of life and earnestness, condescended to express its opinion of the singer, that she was not "half bad, don't you know?" And its component members inquired of each other, "who the devil is she?" On Lady Carabas' handsome face the hard-set look of anxiety had softened into the blandest smile of triumph; old Sir Purcell Arne's blond moustache bristled with delight; and at the conclusion of the ballad, when the singer, rising to the occasion, had sent a flood of melody surging through the room, now dying away in softest trills and most harmonious cadences, the enthusiasm could no longer be restrained, and amidst sonorous applause breaking forth from every side, the amateur instrumentalists leading