Architects -- Fiction; World War, 1914-1918 -- England -- Fiction
"And why can't she go alone? What sort of a conventional world do you
think you live in? Don't girls go home alone? Don't they come in alone?
Don't I? Anybody would think, to listen to some people, that the purdah
flourished in Chelsea. But it's all pretence. I don't ask for the honour
of a private interview with you every night. You've both of you got all
your lives before you. And for once in a way Marguerite's going out
alone. At least, you can take her to the street, I don't mind that. But
don't be outside more than a minute."
Agg, who had sat down, rose and slowly removed her small hat. With pins
in her mouth she said something about the luggage to Marguerite.
"All right! All right!" George surrendered gloomily. In truth he was not
sorry to let Marguerite depart solitary. And Agg's demeanour was very
peculiar; he would have been almost afraid to be too obstinate in
denying her request. He had never seen her hysterical, but a suspicion
took him that she might be capable of hysteria.... You never knew, with
that kind of girl, he thought sagaciously.
In the darkness of the alley George said to Marguerite, feigning
irritation:
"What on earth does she want?"
"Agg? Oh! It's probably nothing. She does get excited sometimes, you
know."
The two girls had parted with strange, hard demonstrations of affection
from Agg.
"I suppose you'll write," said George coldly.
"To-morrow, darling," she replied quite simply and gravely.
Her kiss was warm, complete, faithful, very loving, very sympathetic.
Nothing in her demeanour as she left him showed that George had received
it in a non-committal manner. Yet she must have noticed his wounded
reserve. He did not like such duplicity. He would have preferred her to
be less miraculously angelic.
When he re-entered the studio, Agg, who very seldom smoked, was puffing
violently at a cigarette. She reclined on one elbow on the settee, her
eyes fixed on the portrait of herself. George was really perturbed by
the baffling queerness of the scenes through which he was passing.
"Look here, infant-in-arms," she began immediately. "I only wanted to
say two words to you about Marguerite. Can you stand it?"
There was a pause. George walked in front of her, hiding the easel.
"Yes," he said gruffly.
"Well, Marguerite's a magnificent girl. She's extraordinarily capable.
You'd think she could look after herself as well as anyone. But she
can't. I know her far better than you do. She needs looking after.
She'll make a fool of herself if she isn't handled."
"How do you mean?"
"You know how I mean."
"D'you mean about the old man?"
Public-domain text, read in full here on John Shaqi.
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