She was intensely happy in the theatre. The box was very well placed--since Irene had bought it--with a view equally good of the stage and of the semicircle of boxes. Lois' glance wandered blissfully round the boxes, all occupied by gay parties, and over the vivacious stalls. She gazed, and she enjoyed being gazed at. She bathed herself in the glitter and the gaudiness and the opulence and the humanity, as in tonic fluid. She seemed to float sinuously and voluptuously immersed in it, as in tepid water lit with sunshine. "Do have a choc.," she invited eagerly. George took a chocolate. She took one. They all took one. They all had the unconscious pride of youth that does not know itself young. Each was different from the others. George showed the reserve of the artist; Lucas the ease of the connoisseur of mundane spectacles; Laurencine the sturdy, catholic, girlish innocence that nothing can corrupt. And the sovereign was Lois. She straightened her shoulders; she leaned languorously; she looked up, she looked down; she spoke softly and loudly; she laughed and smiled. And in every movement and in every gesture and tone she symbolized the ecstasy of life. She sought pleasure, and she had found it, and she had no afterthought. She was infectious; she was irresistible, and terrible too. For it was dismaying, at any rate to George, to dwell on the fierceness of her instinct and on the fierceness of its satisfaction. To George her burning eyes were wistful, pathetic, in their simplicity. He felt a sort of fearful pity for her. And he admired her--she was something definite; she was something magnificently outright; she did live. Also he liked her; the implications in her glance appealed to him. The peculiar accents in which she referred to the enigma of Irene Wheeler were extraordinarily attractive to that part of his nature which was perverse and sophisticated. "At least she is not a simpleton," he thought. "And she doesn't pretend to be. Some day I shall talk to her."