Architects -- Fiction; World War, 1914-1918 -- England -- Fiction
It was a large photograph of Jules Defourcambault, bearing the words:
"_À Miss Irene Wheeler. Hommages respectueux de_ J.D.F."
"You won't!" he exclaimed, incredulous, shocked. He thought: "She is
mad!"
"Yes, I shall."
There were hundreds of beautiful objects in the place, and she chose a
banal photograph of a despicable creature whom she detested.
"Why don't you take one of _her_ portraits? Or even a fan. What on earth
do you want with a thing like that?" His voice was changing.
"I shall take it and keep it for ever. He was the cause of it all. This
photograph was everything to her once."
George revolted utterly, and said with cold, harsh displeasure:
"You're simply being morbid. There's no sense in it."
She dropped down into a chair, and the impress of her body dragged the
dust-sheet from its gilt arms, exposing them. She put her face in her
hands and sobbed.
"You're awfully cruel!" she murmured thickly.
The sobs continued, shaking her body. She was beautifully dressed. Her
shoes were adorable, and the semi-transparent hose over her fine ankles.
She made a most disturbing, an unbearable, figure of compassion. She
needed wisdom, protection, guidance, strength. Every bit of her seemed
to appeal for these qualities. But at the same time she dismayed. He
moved nearer to her. Yes, she had grandeur. All the costly and valuable
objects in the drawing-room she had rejected in favour of the
satisfaction of a morbid and terrible whim. Who could have foreseen it?
He moved still nearer. He stood over her. He seized her yielding wrists.
He lifted her veil. Tears were running down her cheeks from the yellow
eyes. She looked at him through her tears.
"You're frightfully cruel," she feebly repeated.
"And what if I am?" he said solemnly. Did she really think him hard, had
she always thought him hard--she, the hard one? How strange! Yet no
doubt he was hard.
His paramount idea was:
"She had faith in me." It was as if her faith had created the man he
was. She was passionately ambitious; so was he.
And when he kissed her wet mouth, and stroked with incredible delicacy
those streaming cheeks, he felt himself full of foreboding. But he was
proud and confident.
He took her back to Bedford Park. She carried the photograph, unwrapped;
but he ventured no comment. She went straight up to her room.
"_You_ must tell Mrs. Orgreave," she said on the stairs.
Adela made a strange remark:
"Oh! But we always intended you to marry Lois!"
PART II
CHAPTER I
THE TRIUMPH
I
Public-domain text, read in full here on John Shaqi.
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