Architects -- Fiction; World War, 1914-1918 -- England -- Fiction
There it was, the thirst for enjoyment, pleasure! The supreme,
unslakable thirst! She had always had it, and he had always hardened
himself against it--while often, nevertheless, accepting with secret
pleasure the satisfactions of her thirst. Thus, for example, in the
matter of dancing. She had shared to the full in the extraordinary craze
for dancing which had held the West End for several years. Owing to her
initiative they had belonged to two dancing clubs whose members met
weekly in the saloons of the great hotels. The majority of the members
were acutely tedious to George, but Lois was quite uncritical, save on
the main point; she divided the members into good dancers and bad
dancers. George was a pretty good dancer. He liked dancing. Membership
of these clubs involved expense, it interfered with his sleep, it made
his early mornings more like defeats than triumphs, it prevented him
from duly reading and sketching. But he liked dancing. While resenting
the compulsion to outrage his conscience, he enjoyed the sin. What
exasperated him was Lois's argument that that kind of thing "did him
good" professionally, and was indeed essential to the career of a rising
or risen young architect, and that also it was good for his health and
his mind. He wished that she would not so unconvincingly pretend that
self-indulgence was not what it was. These pretences, however, seemed to
be a necessity of her nature. She reasoned similarly about the dinners
and theatre-parties which they gave and attended. Next to dancing she
adored dinners and theatre-parties. She would sooner eat a bad dinner in
company anywhere than a good dinner quietly at home; she would far
sooner go to a bad play than to none at all; she was in fact never bored
in the theatre or in the music-hall. Never!
Once, by misfortune--as George privately deemed--he had got a small job
(erection of a dwelling-house at Hampstead) through a dinner. Lois had
never forgotten it, and she would adduce the trifle again and again as
evidence of the sanity of her ideas about social life. George really did
not care for designing houses; they were not worth the trouble; he
habitually thought in public edifices and the palaces of kings, nobles,
and plutocrats of taste. Moreover, his commission on the house would not
have kept his own household in being for a month--and yet the owner,
while obviously proud to be the patron of the celebrated prodigy George
Cannon, had the air of doing George Cannon a favour!
Public-domain text, read in full here on John Shaqi.
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