Architects -- Fiction; World War, 1914-1918 -- England -- Fiction
After a period of shallow sleep he woke up in the morning factitiously
refreshed as the train was rumbling slowly over the high-level bridge.
The sun blinked full in his eyes when he looked out through the
trellis-work of the bridge. Far below, the river was tinged with the
pale blue of the sky. Big ships lay in the river as if they had never
moved and never could move; a steamer in process of painting, with her
sides lifted above the water, gleamed in irregular patches of brilliant
scarlet. A lively tug passed down-stream, proud of her early rising;
and, smaller even than the tug, a smack, running close-hauled, bowed to
the puffs of the light breeze. Farther away the lofty chimneys sent
their scarves of smoke into the air, and the vast skeletons of incipient
vessels could be descried through webs of staging. The translucent
freshness of the calm scene was miraculous; it divinely intoxicated the
soul, and left no squalor and no ugliness anywhere.
Then, as the line curved, came the view of the city beneath its delicate
canopy of mist. The city was built on escarpments, on ridges, on hills,
and sagged here and there into great hollows. The serrated silhouette of
it wrote romance upon the sky, and the contours of the naked earth
beyond lost themselves grandly in the mystery of the north. The jutting
custom-house was a fine piece of architecture. From the eighteen-forties
it challenged grimly the modern architect. On his hasty first visit to
the city George had noticed little save that custom-house. He had seen a
slatternly provincial town, large and picturesque certainly, but with
small sense of form or dignity. He had decided that his town hall would
stand quite unique in the town. But soon the city had imposed itself
upon him and taught him the rudiments of humility. It contained an
immense quantity of interesting architecture of various periods, which
could not be appreciated at a glance. It was a hoary place. It went back
to the Romans and further. Its fragmentary walls had survived through
seven centuries, its cathedral through six, its chief churches through
five. It had the most perfect Norman keep within two hundred miles. It
had ancient halls, mansions, towers, markets, and jail. And to these the
Victorian-Edwardian age had added museums, law courts, theatres; such
astonishing modernities as swimming-baths, power-houses, joint-stock
banks, lending libraries, and art schools; and whole monumental streets
and squares from the designs of a native architect without whose
respectable name no history of British architecture could be called
complete. George's town hall was the largest building in the city; but
it did not dominate the city nor dwarf it; the city easily digested it.
Arriving in the city by train the traveller, if he knew where to look,
could just distinguish a bit of the town hall tower, amid masses of
granite and brick: which glimpse symbolized the relation between the
Public-domain text, read in full here on John Shaqi.
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