Architects -- Fiction; World War, 1914-1918 -- England -- Fiction
The telephone rang in the principal's room of George's office in Museum
Street. He raised his head from the drawing-board with the false gesture
of fatigued impatience which, as a business man, he had long since
acquired, and took the instrument. As a fact he was not really busy; he
was only pretending to be busy; and he rather enjoyed the summons of the
telephone, with its eternal promise of some romantic new turn of
existence. Nevertheless, though he was quite alone, he had to affect
that the telephone was his bane.
"Can Sir Isaac Davids speak to you, sir, from the Artists Club?"
"Put him on."
Immediately came the thick, rich voice of Sir Isaac, with its
implications of cynicism and triumphant disdain--attenuated and weakened
in the telephone, suggesting an object seen through the wrong end of a
telescope.
"Is that you, Cannon?"
"It is," said George shortly. Without yet knowing it, he had already
begun to hate Sir Isaac. His criticism of Sir Isaac was that the man was
too damnably sure of himself. And not all Sir Isaac's obvious power,
and influence, and vast potential usefulness to a young architect,
could prevent George from occasionally, as he put it, 'standing up to
the fellow.'
"Well, you'd better come along here, if you can. I want to see you,"
said the unruffled voice of Sir Isaac.
"Now?"
"Yes."
"All right."
As George replaced the instrument, he murmured:
"I know what that means. It's all off." And after a moment: "I knew
jolly well it would be."
He glanced round the very orderly room, to which, by judicious
furnishing, he had given a severe distinction at no great cost. On the
walls were a few interesting things, including a couple of his own
perspectives. A neo-impressionist oil-sketch over the mantelpiece, with
blue trees and red fields and a girl whose face was a featureless blob,
imperiously monopolized the attention of the beholder, warning him,
whoever he might be, that the inescapable revolutionary future was now
at hand. The room and everything in it, that entity upon which George
had spent so much trouble, and of which he had been so proud, seemed
futile, pointless, utterly unprofitable.
Public-domain text, read in full here on John Shaqi.
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