Architects -- Fiction; World War, 1914-1918 -- England -- Fiction
She gazed at George with her cold blue eyes, arraigning in his person
the whole sex which she thought she despised but which her deepest
instinct it was to counterfeit. George, while admiring, was a little
dismayed. She was sarcastic. She had brains and knowledge and ideas.
There was an intellectual foundation to her picture. And she could
paint--like a witch! Oh! She was ruthlessly clever! Well, he did not
like her. What he wanted, though he would not admit it, was old Onway's
womanly woman. And especially in that hour he wanted the womanly woman.
"What's Marguerite up to?" he asked quietly.
"After the heat and the toil of the day she's beautifying herself for
your august approval," said Agg icily. "I expect she's hurrying all she
can. But naturally you expect her to be in a permanent state of waiting
for you--fresh out of the cotton-wool."
The next instant Marguerite appeared from the cubicle or dressing-room
which had been contrived in a corner of the studio to the left of the
door. She was in her plain, everyday attire, but she had obviously just
washed, and her smooth hair shone from the brush.
"Well, George."
"Well, Marguerite."
Both spoke casually. Celia Agg was the only person in the world privy to
their engagement; but they permitted themselves no freedoms in front of
her. As Marguerite came near to George, she delicately touched his
arm--nothing more. She was smiling happily, but as soon as she looked
close at his face under the lamp, her face changed completely. He
thought: "She understands there's something up."
She said, not without embarrassment:
"George, I really must have some fresh air. I haven't had a breath all
day. Is it raining?"
"No. Would you like to go for a walk?"
"Oh! I should!"
He was very grateful, and also impressed by the accuracy of her
intuitions and her quick resourcefulness. She had comprehended at a
glance that he had a profound and urgent need to be alone with her. She
was marvellously comforting, precious beyond price. All his
susceptibilities, wounded by the scene at Alexandra Grove, and further
irritated by Agg, were instantaneously salved and soothed. Her tones,
her scarcely perceptible gesture of succour, produced the assuaging
miracle. She fulfilled her role to perfection. She was a talented and
competent designer, but as the helpmeet of a man she had genius. His
mind dwelt on her with rapture.
"You'll be going out as soon as you've changed, dear?" she said
affectionately to Agg.
"Yes," answered Agg, who at the mirror was wiping from her face the
painted signs of alcoholism. She had thrown off the bag wig. "You'd
better take the key with you. You'll be back before I am." She sat down
on one of the draped settees which were beds in disguise, and
Marguerite got a hat, cloak, and gloves.
While George was resuming his overcoat, which Marguerite held for him,
Agg suddenly sprang up and rushed towards them.
Public-domain text, read in full here on John Shaqi.
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