Architects -- Fiction; World War, 1914-1918 -- England -- Fiction
When she sat down, George on her
right, Lucas on her left, and the tall, virginal Laurencine Ingram
opposite, she was the principal person in the restaurant. George had
already passed from disappointment to an impressed nervousness. The
inquisitive diners might all have been quizzing him instead of Irene
Wheeler. He envied Lucas, who was talking freely to both Miss Wheeler
and Laurencine about what he had ordered for dinner. That morning over a
drawing-board and an architectural problem, Lucas had been humble enough
to George, and George by natural right had laid the law down to Lucas;
but now Lucas, who--George was obliged to admit--never said anything
brilliant or original, was outshining him.... It was unquestionable that
in getting Irene Wheeler to dinner, Lucas, by some mysterious talent
which he possessed, had performed a feat greater even than George had at
first imagined--a prodigious feat.
George waited for Irene Wheeler to begin to talk. She did not begin to
talk. She was content with the grand function of existing. Lucas showed
her the portrait in the illustrated paper, which he had kept. She said
that it was comparatively an old one, and had been taken at the Durbar
in January. "Were you at the Durbar?" asked the simpleton George. Irene
Wheeler looked at him. "Yes. I was in the Viceroy's house-party," she
answered mildly. And then she said to Lucas that she had sat three times
to photographers that week--"They won't leave me alone"--but that the
proofs were none of them satisfactory. At this Laurencine Ingram boldly
and blushingly protested, maintaining that one of them was lovely.
George was attracted to Laurencine, in whom he saw no likeness to her
sister Lois. She could not long have left school. She was the product
finished for the world; she had been taught everything that was
considered desirable--even to the art of talking easily and yet
virginally on all subjects at table; and she was a nice, honest,
handsome girl, entirely unspoilt by the mysterious operations practised
upon her. She related how she had been present when a famous
photographer arrived at Miss Wheeler's flat with his apparatus, and what
the famous photographer had said. The boys laughed. Miss Wheeler smiled
faintly. "I'm glad we didn't have to go to that play to-night," she
remarked, quitting photography. "However, I shall have to go to-morrow
night. And I don't care for first nights in London, only they will have
me go." In this last phrase, and in the intonation of it, was the first
sign she had given of her American origin; her speech was usually
indistinguishable from English English, which language she had in fact
carefully acquired years earlier. George gathered that Lucas's success
in getting Miss Wheeler to dinner was due to the accident of a first
night being postponed at the last moment and Miss Wheeler thus finding
herself with an empty evening. He covertly examined her. Why was the
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account