In the first place the cult is associated with hills and also with
trees. It is found on that part of the Esquiline which was known as
lucus Fagutalis or Fagutal: here there was a sacellum Iovis ‘in quo fuit
fagus arbor quae Iovis (so MSS.) sacra habebatur[991]‘: and the god
himself was called Fagutalis. Not far off on the Viminal, or hill of the
osiers, there was also an altar of Jupiter Viminius, which we may
suppose to have been ancient[992]. The mysterious Capitolium vetus on
the Quirinal may be assumed as telling the same tale, though in
historical times the memory of the cult there included Minerva and Juno
with Jupiter, i. e. the Etruscan ‘Trias.’ Lastly, on the Capitol itself
was the temple of Jupiter Feretrius, reputed to be the oldest in
Rome[993]. It was attributed to Romulus, who, after slaying the king of
the Caeninenses, dedicated the first spolia opima on an ancient oak
‘pastoribus sacram,’ and at the same time ‘designavit templo Iovis fines
cognomenque addidit deo.’ The oak, we may assume, was the original
dwelling of the god, and upon it were fixed the arms taken from the
conquered enemy as a thank-offering for his aid[994]. In this case we
seem to be able to guess the development of the cult from this beginning
in the tree-worship of primitive ‘pastores.’ The next step would be the
erection of an altar below the tree, in a small enclosure, i. e. a
sacellum of the same kind as those of the Argei or the Sacellum
Larum[995]. The third stage would be the building of the aedes known to
us in history, which Cornelius Nepos says had fallen into decay in his
time, and was rebuilt by Augustus on the suggestion of Atticus. Even
this was a very small building, for Dionysius saw the foundations of it
and found them only fifteen feet wide. This oldest cult of Jupiter was
completely overshadowed by the later one of the Etruscan Trias—the
aniconic by the iconic, the pure Italian by the mongrel ritual from
Etruria.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account