Utque luat poenas gens haec, Cerialibus ardet;
Quoque modo segetes perdidit, ipsa perit.
We are, of course, reminded of Samson burning the corn of the
Philistines[251]; and it is probable that the story in each case is a
myth explanatory of some old practice like the one Ovid describes at
Rome. But what the practice meant it is not very easy to see. Preller
has his explanation ready[252]; it was a ‘sinnbildliche Erinnerung’ of
the _robigo_ (i. e. ‘red fox’), which was to be feared and guarded
against at this time of year. Mannhardt thinks rather of the corn-foxes
or corn-spirits of France and Germany, of which he gives many
instances[253]. If the foxes were corn spirits, one does not quite see
why they should have brands fastened to their tails[254]. No exactly
parallel practice seems to be forthcoming, and the fox does not appear
elsewhere in ancient Italian or Greek folk-tales, as far as I can
discover. All that can be said is that the fox’s tail seems to have been
an object of interest, and possibly to have had some fertilizing
power[255], and some curious relation to ears of corn. Prof. Gubernatis
believes this tail to have been a phallic symbol[256]. We need not
accept his explanation, but we may be grateful to him for a modern
Italian folk-tale, from the region of Leghorn and the Maremma, in which
a fox is frightened away by chickens which carry each in its beak an ear
of millet; the fox is told that these ears are all foxes’ tails, and
runs for it.
Here we must leave this puzzle[257]; but whoever cares to read Ovid’s
lines about his journey towards his native Pelignian country, his
turning into the familiar lodging—
Hospitis antiqui solitas intravimus aedes,
and the tales he heard there—among them that of the fox—will find them
better worth reading than the greater part of the _Fasti_.
XI KAL. MAI. (APR. 21). NP.[258]
PAR[ILIA]. (CAER. MAFF. PRAEN.)
ROMA COND[ITA] FERIAE CORONATIS OM[NIBUS]. (CAER.)
N[ATALIS] URBIS. CIRCENSES MISSUS XXIV. (PHILOC.)
[A note in Praen. is hopelessly mutilated, with the exception of the
words IGNES and PRINCIPIO AN[NI PASTORICII[259]?]]
The Parilia[260], at once one of the oldest and best attested festivals
of the whole year, is at the same time the one whose features have been
most clearly explained by the investigations of parallels among other
races.
Public-domain text, read in full here on John Shaqi.
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