The Roman hat mystery : $b A problem in deductionQueen, Ellery
General
The Roman hat mystery : $b A problem in deduction
Queen, Ellery
Detective and mystery stories; Fathers and sons -- Fiction; Novelists -- Fiction; Police -- New York (State) -- New York -- Fiction
The three men took in the scene with gloomy eyes. The foyer was small
but crowded with oddments of furniture and decoration. A bookcase
filled with unused-appearing volumes; a small table on which perched a
“modernistic” lamp and some carved ivory ash-trays; two Empire chairs;
a peculiar piece of furniture which seemed half sideboard and half
secretary; and a number of cushions and rugs were scattered about. The
Inspector stood regarding this melange wryly.
“Here, son—I guess the best way for us to tackle the search is for the
three of us to go through everything piece by piece, one checking
up on the other. I’m not very hopeful about it, I’ll tell you that.”
“The gentleman of the Wailing Wall,” groaned Ellery. “Grief is writ
fine and large on his noble visage. You and I, Cronin—we’re not such
pessimists, are we?”
Cronin growled, “I’d say—less talk and more action, with all the
respect in the world for these little family ructions.”
Ellery stared at him with admiration. “You’re almost insectivorous in
your determination, man. More like an army-ant than a human being. And
poor Field’s lying in the morgue, too.... _Allons, enfants_!”
They set to work under the nodding head of the policeman. They worked
silently for the most part. Ellery’s face reflected a calm expectancy;
the Inspector’s a doleful irritation; Cronin’s a savage indomitability.
Book after book was extracted from the case and carefully
inspected—leaves shaken out—covers examined minutely—backboards pinched
and pierced. There were over two hundred books and the thorough search
took a long time. Ellery, after a period of activity, seemed inclined
to allow his father and Cronin to do the heavier work of inspection
while he devoted his attention more and more to the titles of the
volumes. At one point he uttered a delighted exclamation and held
up to the light a thin, cheaply bound book. Cronin leaped forward
immediately, his eyes blazing. The Inspector looked up with a flicker
of interest. But Ellery had merely discovered another volume on
handwriting analysis.
The old man stared at his son in silent curiosity, his lips puckered
thoughtfully. Cronin turned back to the bookcase with a groan. Ellery,
however, riffling the pages rapidly, cried out again. The two men
craned over his shoulder. On the margins of several pages were some
penciled notations. The words spelled names: “Henry Jones,” “John
Smith,” “George Brown.” They were repeated many times on the margins
of the page, as if the writer were practicing different styles of
penmanship.
“Didn’t Field have the most adolescent yen for scribbling?” asked
Ellery, staring fascinatedly at the penciled names.
“As usual you have something up your sleeve, my son,” remarked the
Inspector wearily. “I see what you mean, but I don’t see that it helps
us any. Except for—By jinks, that’s an idea!”
Public-domain text, read in full here on John Shaqi.
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