The Roman hat mystery : $b A problem in deductionQueen, Ellery
General
The Roman hat mystery : $b A problem in deduction
Queen, Ellery
Detective and mystery stories; Fathers and sons -- Fiction; Novelists -- Fiction; Police -- New York (State) -- New York -- Fiction
The assembled party was placed peculiarly. From the row nearest the
Inspector, who stood about half-way down the orchestra, and proceeding
towards the rear the only seats occupied were those directly on the
left aisle. The end two seats of the dozen rows were filled by a motley
aggregation—men and women, old and young. They were the same people
who had occupied these chairs on the night of the fatal performance
and whom Inspector Queen had personally examined after the discovery
of the body. In the section of eight seats—Monte Field’s and the empty
ones which had surrounded it—were grouped William Pusak, Esther Jablow,
Madge O’Connell, Jess Lynch and Parson Johnny—the Parson furtive-eyed,
uneasy and whispering to the usherette behind nicotined fingers.
At the Inspector’s sudden gesture all became silent as the grave.
Sampson, looking about him at the bright chandeliers and lights, the
deserted theatre, the lowered curtain, could not help feeling that
the stage was being set for dramatic revelations. He leaned forward
interestedly. Panzer and Neilson were quiet and watchful. Djuna kept
his eyes fixed on the old man.
“Ladies and gentlemen,” Queen announced curtly, staring at the
assembled company, “I’ve brought you here for a definite purpose.
I will not keep you any longer than is absolutely necessary, but what
is necessary and what is not necessary is entirely up to me. If I find
that I do not receive what I consider truthful answers to my questions,
everybody will stay here until I am satisfied. I want that thoroughly
understood before we proceed.”
He paused and glared about. There was a ripple of apprehension, a
sudden crackle of conversation which died as quickly as it was born.
“On Monday night,” continued the Inspector frostily, “you people
attended the performance at this theatre and, with the exception of
certain employees and others now seated at the rear, occupied the seats
in which you now find yourselves.” Sampson grinned as he noticed the
stiffening of backs at these words, as if each individual felt his seat
grow suddenly warm and uncomfortable beneath him.
“I want you to imagine that this is Monday night. I want you to think
back to that night and try to remember everything that happened. By
everything I mean any occurrence, no matter how trivial or apparently
unimportant, that might have left an impression on your memory....”
As the Inspector warmed to his words, a number of people drifted into
the orchestra at the rear. Sampson greeted them in whispers. The little
party was composed of Eve Ellis, Hilda Orange, Stephen Barry, James
Peale and three or four other members of the cast of “Gunplay.” They
were dressed in their street-clothes. Peale whispered to Sampson that
they had just come from their dressing-rooms and had dropped into the
auditorium on hearing voices.
“Queen’s holding a little pow-wow,” whispered Sampson in return.
Public-domain text, read in full here on John Shaqi.
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