The Roman hat mystery : $b A problem in deductionQueen, Ellery
General
The Roman hat mystery : $b A problem in deduction
Queen, Ellery
Detective and mystery stories; Fathers and sons -- Fiction; Novelists -- Fiction; Police -- New York (State) -- New York -- Fiction
The Inspector shrugged. “But it would have made a considerable
difference,” he said. “If only we had reasoned it out—Well! When
finally we did get round to dissecting the problem of the hat, we asked
ourselves first of all: Why was the hat taken? Only two answers seemed
to make sense: one, that the hat was incriminating in itself; two, that
it contained something which the murderer wanted and for which the
crime was committed. As it turned out, both were true. The hat
was incriminating in itself because on the underside of the leather
sweat-band was Stephen Barry’s name, printed in indelible ink; and the
hat contained something which the murderer very emphatically wanted—the
blackmail papers. He thought at the time, of course, that they were the
originals.
“This did not get us very far, but it was a starting-point. By the time
we left Monday night with the command to shut down the theatre, we had
not yet found the missing hat despite a sweeping search. However, we
had no way of knowing whether the hat had managed in some mysterious
manner to leave the theatre, or whether it was still there though
unrevealed by our search. When we returned to the theatre on Thursday
morning we settled once and for all the question of the location of
Monte Field’s pesky topper—that is, negatively. It was _not_ in the
theatre—that much was certain. And since the theatre had been sealed
since Monday night, it follows that the hat must have left that same
evening.
“Now everybody who left Monday night left with only one hat. In the
light of our second search, therefore, we were compelled to conclude
that somebody had walked out that night with Monte Field’s hat in his
hand or on his head, necessarily leaving his own in the theatre.
“He could not have disposed of the hat outside the theatre except when
he left at the time the audience was allowed to leave; for up to that
time all exits were guarded or locked, and the left-hand alley was
blocked first by Jess Lynch and Elinor Libby, next by John Chase, the
usher, and after that by one of my policemen. The right-hand alley,
having no exit other than the orchestra doors, which were guarded all
night, offered no avenue of disposal.
Public-domain text, read in full here on John Shaqi.
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