The Roman Poets of the Republic, 2nd editionSellar, W. Y. (William Young)
History
The Roman Poets of the Republic, 2nd edition
Sellar, W. Y. (William Young)
Latin poetry -- History and criticism
The variety and extent of his works bear witness to remarkable
learning, as well as a strong productive energy. With a wide knowledge
of Greek literature, he combined the heart and will of a Roman; and
to the study of the best books he added a close contact with men.
Expressions in his remains indicate the opposite religious feelings
and convictions of a mystic and a sceptic. In his temper and character
a high self-consciousness appears united with a true simplicity
and hearty appreciation of others, and a great gravity of tone and
purpose with a cheerful and sanguine spirit. His moral sympathies are
most deeply moved by such qualities as fortitude, magnanimity, and
practical wisdom; and the transparent sincerity of his words gives
assurance that he himself was formed out of the same true metal which
he recognised in 'the old manners and men' of his adopted country.
In his poetry he represented the traditions and the steady continuous
growth of the Roman State, and expressed the confidence which the
people reposed in their destiny, their institutions, and their leading
men. His dramas, although founded on Greek models, and dealing with
Greek legends and personages, yet had a real national air in the type
of character they presented, in the sentiments they expressed, and in
the lessons of life they inculcated. His epic poem was in form, spirit,
and substance, inspired by the genius of his country, and was finished
with the strong and massive execution of Roman workmanship[121]. While
discarding the native Saturnian measure, as unequal to the elevated
tone of a long narrative poem, he moulded the Latin language to the
conditions of a new metre, which, in later times, was successfully
wrought into the most expressive organ of the majesty of Rome. In his
reproduction of the Homeric mythology, he has embodied the idea of the
national destiny. The characteristic sentiment of his poetry indicates
his affinity not to Homer and Sophocles, but to Lucretius and Virgil.
There are gleams also of true creative power in these fragments. If
wanting in the fine accomplishment and the contemplative faculty of
a poetic artist, he seems to have possessed a strength and energy of
conception unsurpassed by any of his successors. He was endowed also
with that living power which gives new meaning to familiar things;
which, without distorting or exaggerating the truth, discerns and
reveals the glory and grandeur in the actual march of events.
[Footnote 48: Parco admodum sumptu contentus et unius ancillae
ministerio.]
[Footnote 49: xvii. 17.]
[Footnote 50: Livy xxxviii. 17.]
[Footnote 51: 'When the Carthaginians were coming from all sides to
the conflict, and all things, beneath high heaven, confounded by the
hurry and tumult of war, shook with alarm: and men were in doubt to
which of the two the empire of the whole world, by land and sea, should
fall.'--Lucret. iii. 833-7.]
[Footnote 52: Mommsen, book iii. ch. 5.]
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