The Roman Poets of the Republic, 2nd editionSellar, W. Y. (William Young)
History
The Roman Poets of the Republic, 2nd edition
Sellar, W. Y. (William Young)
Latin poetry -- History and criticism
Tranio in the 'Mostellaria' is, in readiness of resource and resolute
mendacity, a not unworthy member of the fraternity to which Pseudolus,
Chrysalus, and Palaestrio belong. He is, besides something of a fop and
a fine gentleman, and all his relations with his young and old master,
with Simo and the Banker, are conducted with perfect urbanity. Yet the
'Mostellaria' is certainly one of those plays to which the criticism of
Horace--
Securus cadat an recto stet fabula talo,--
is peculiarly applicable. No less suitable 'Deus ex machina' than
the crapulous Callidamates can well be imagined for the purpose of
reconciling a justly incensed father and master of a household to the
profligate extravagance of his son, and the audacious mystification of
his slave.
Several other plays turn upon similar 'frustrationes.' Two of the
best of these are the 'Curculio' and the 'Epidicus.' Though there are
lively and humorous scenes in nearly all his plays, and the language
is generally sparkling and vigorous, yet the sameness of situation
and character, and the unrelieved tone of light-hearted merriment and
mendacity with which this class of play is pervaded soon pall upon the
taste. A few, the 'Cistellaria' and the 'Poenulus,' for instance, turn
upon the incident of a free-born child being stolen in infancy, and
recognised by her parents before she has fatally committed herself to
the occupation for which she has been destined. But these are not among
the best executed of the Plautine plays. In the 'Stichus' we enjoy the
unwonted satisfaction of making acquaintance with two wives who really
care for their husbands: and the parasite Gelasimus in that play is as
amusing as the characters of the same kind in the Captivi, Curculio,
Menaechmi, Persa, etc. But the absence of incident, coherent plot, and
adequate dénouement, must prevent this play from being ranked among the
more important compositions of Plautus. A few however still remain to
be noticed as among the most serious or the most imaginative efforts
of his genius. The 'Aulularia,' Trinummus,' 'Menaechmi,' 'Rudens,'
'Captivi,' and 'Amphitryo,' are much more varied in their interest
than most of those already mentioned, and each of them has its own
characteristic excellence.
Public-domain text, read in full here on John Shaqi.
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